125 years ago today…..
Tag: Oddfellows Hall Dowlais
Merthyr’s Lost Landmarks: Merthyr’s Lost Cinemas
Following on from the last post we’ll have look at some of the eleven (yes it’s hard to believe) cinemas that were in the borough in the mid 1900s, but have since been demolished.
Merthyr Electric Theatre
Opened in 1910, it was Merthyr’s first ‘purpose-built’ cinema.
Palace Theatre
Merthyr’s second cinema, opened in 1912.
The Castle Cinema
Opened in 1929, it was built specifically to show the new ‘talkies’, and was Merthyr’s grandest cinema.
The Cosy Cinema, Penydarren
Opened in 1914
The Victoria Cinema, Dowlais
Opened in 1910, it was Dowlais’ first, and only ‘purpose-built’ cinema.
The Oddfellow’s Hall
Built in 1876 as a meeting hall, it housed a cinema for many years.
The Picture Palace, Troedyrhiw
Opened in the 1920s
The Electric Cinema, Aberfan
The Palace Theatre, Treharris
Opened in 1891 as the Treharris Public Hall, it later became the Palace Theatre.
Do you remember visiting any of these cinemas? If you do, please share your memories.
The Pant War Memorial
by J Ann Lewis
Ninety-five years ago today, on 4 July 1926, General Marden unveiled the Pant War Memorial, with about 1,300 people in attendance and with loud speakers and microphones were in place for the event. Pant was the second village in the area to erect a memorial to the men killed in the First World War.
The Memorial Committee was inaugurated in 1920; house-to-house collections were organised and many promises of weekly contributions were made, but due to the coal strike of 1921, and the trade depression that followed, the final cost of £800 was not quite met. The local inhabitants had paid the bulk of the money, and the school-children contributed largely through the many concerts organised by the staff. Also mentioned for their donations were: Merthyr Football Club, the directors of the Victoria Cinema and the Oddfellows Hall (where the concerts were held).
Mr F. J. Bateson released the ground he had rented from Messrs Guest, Keen and Nettlefold, enabling them to give the ground, previously owned by Daniel Thomas, stonemason, for the memorial. Before the memorial could be erected, the urinal built in 1906 had to be moved to the other side of Caeracca Bridge.
The Memorial is built mainly of Portland stone, with the side wing walls and steps leading to the cenotaph of local limestone. The bronze plate centrepiece reveals the names of local men who were killed during the conflict.
Designed by Mr C. H. C. Holder, a curator at Cyfarthfa Museum, the sculpture is a monument to the skill of Councillor F. J. Bateson from Pant and his assistants. The Mayor, Alderman D. Davies J. P., another Pant resident, accepted the deed as a gift from Mr S. J. Lloyd, Secretary of the Memorial Committee. The mayor had actually lost his son in the War, and his name is commemorated on the plaque.
General Marden, in his response, thanked the Dowlais Male Voice Party for “the most wonderful singing he had ever heard”. The march to Pant was led by the Municipal Band and the G.K.N. Dowlais Silver Band.
A second plaque was added to the memorial to honour the men of the village who died during the Second World War.
To the left hand side of the main memorial is another plaque honouring the men who had been employed at the I.C.I. Factory at Dowlais who died in the Second World War. These were:
- Simon Davies
- William Evans
- Thomas John Davies
- Norman Ernest Freshwater
- Cameron Meredith
- Glyndwr Price
- Frank Wills
Maggie Davies – Eos Fach
Today marks the 93rd anniversary of the death of one of Merthyr’s greatest musical talents – Maggie Davies. Nowadays, however, she is almost totally forgotten.
Maggie Davies was born in Broad Street, Dowlais in November 1865. Her father, Evan, was a puddler at the Dowlais Works, and both he and his wife, Mary, were staunch members of Bethania Chapel, where Evan was a deacon. It was at Bethania Chapel that the young Maggie got her first rudimentary musical training, and was soon considered to be a prodigy, and her musical talents were often called upon around Dowlais.
After performing for two years with Brogden’s Swiss Choir, a famous touring group, Maggie returned to Merthyr for formal musical training with Edward Lawrence, the organist at St David’s Church. Under Lawrence’s tutelage, Maggie won a scholarship to study at the Royal College of Music in London. Before, her departure, the people of Dowlais organised a grand concert held at the Oddfellows Hall in her honour to raise money to help with her expenses.
At the Royal College of Music, she studied with Sir Hubert Parry and Sir Walter Parratt, and she also spent a season in Paris, studying with the world-renowned soprano Pauline Viardot. Such was Maggie’s talent and promise that the scholarship, which had been for a period of three years, was extended for a further three years, an unprecedented occurrence in that period.
Although she appeared for a season with the Carl Rosa Opera Company, it was as a concert singer that she made her name. She appeared regularly all over Britain, and sang annually at the National Eisteddfod, and it was here that she was christened ‘Eos Fach’ – Little Nightingale.
In 1896, the prominent composer Sir Charles Villiers Stanford asked Maggie to sing the lead role in the premiere of his new opera ‘Shamus O’Brien’, a role he had written specifically for her. At first she was reluctant to accept the offer, as she did not want to return to the operatic stage, much preferring her career as a concert and oratorio singer. She was finally persuaded to perform the role by the composer, and she received excellent reviews in most of the newspapers and periodicals of the time.
Although she occasionally performed in opera productions, notably in Joseph Parry’s operas ‘Blodwen’ and ‘Arianwen’ in Cardiff, she continued to confine her career mostly to the concert platform, and took part in concert tours to America and South Africa.
In 1903, she married George W Hutcheson, a Scottish solicitor residing in London, and retired from the concert stage.
By the 1920’s, ill-health had begun to take its toll on Maggie, and in 1925 she embarked on a voyage to the West Indies with a view to improving her health. Upon her return, however, her condition had worsened and she was admitted to a nursing home, where she died on 1 July 1925. In her funeral, the Rev H Elvet Lewis, in his prayer, referred to “the use the Creator had made of the gifts of her great art, which had brought joy to so many during her time”.
The Town that Died
Has anyone read R L Lee’s remarkable book ‘The Town that Died’? The town in question is Dowlais, and the book recounts his memories of growing up there.
Dowlais is not a bad place at all, but when you compare the town today to how it was – for a lot of people from cherished memories, for others, relying on photographs, you can see that the epithet is a just one.
Below is an excellent photograph of Dowlais taken in 1920’s from the mountain behind the Ironworks (the present day Goat Mill Road). You can see what a large and bustling it place it was. A lot of the more prominent buildings are numbered and identified beneath the photo.
| 1. Gwernllwyn Chapel 2. Hermon Chapel 3. Shiloh Chapel 4. Elizabeth Street Chapel 5. Bryn Sion Chapel 6. Dowlais Works |
7. Temple Buildings 8. Ivor Works 9. Elim-Tabernacle Chapel 10. Oddfellows Hall 11. Bethania Chapel |
Almost everything in the photograph has gone. Of the buildings numbered above, only Bethania Chapel still remains.
The Town that Died indeed.
Merthyr Memories: Merthyr’s Cinemas – part 2
by Kenneth & Christine Brewer
The biggest and most popular cinema in Merthyr was the Castle Cinema. It was very grand with a large foyer with a café and lounge upstairs. Inside the auditorium were three tiers of seats, and at the back there was a section that was partitioned off by glass so that you could watch (but not hear) the film whist you were waiting to go in.
The cinema was managed by Mr Cyril Smith, and the commissionaire was Vines Perry. The Castle also had a magnificent organ which would rise out of the floor, and the resident organist was Gene Lynne.
The Castle was owned by ABC Cinemas (Associated British Cinemas), and on a Saturday morning they would have the ABC Minors – a cinema club with special showings for children. At the beginning of each Saturday morning session, the “ABC Minors Song” would be played to the tune of ‘Blaze Away’, whilst the lyrics were shown on the screen with a bouncing red ball above the words to help the audience keep the place.
The Palace Cinema, which was in Pontmorlais (where the car park near Flooks is now), was smaller than the Castle. It only had two tiers of seating, but it too had a café upstairs. The manager at the Palace was a Mr Jones who was always smartly dressed in a black suit and a dickie-bow. The Palace was a very popular cinema, but the lasting memory is that in the winter it was always freezing cold there, so there would always be a scramble to sit near the radiator.
Also on the High Street, just a few doors up from the Castle Cinema, was the Electric Cinema. This was the oldest cinema in Merthyr, and by the 1940’s it was quite dilapidated and had a bit of a reputation – its nick-name was ‘The Bug-House’. I (Ken) only ever went there once when I was quite young. I had asked my mother to take me to see a George Formby film (I don’t recall which one), and when we got to Merthyr (from Abercanaid), the only cinema that was showing it was the Electric. My mother didn’t want to go there, but I finally persuaded her – but only on the understanding that I never told anyone that we went to the Electric!!!!!
The Theatre Royal and the Temperance Hall were also used for theatrical performances as well as being cinemas.
The Theatre Royal was also quite grand – it also had two tiers of seating, with a standing area at the back…..not glassed in this time though. Every Christmas there was a Pantomime there – I (Ken) remember seeing Cinderella starring Ronnie Ronalde (the yodelling music hall star) as Dandini and the radio stars Clapham and Dwyer as the Ugly Sisters.
The Temperance Hall also put on plays – it even had its own repertory company. One of the junior leads was Pamela Mant who left the company to play Christine Archer in ‘The Archers’. Another regular at the Temperance Hall was Pat Phoenix who went on to star as Elsie Tanner in ‘Coronation Street’. When you went to see a film at ‘The Temp’, you had to be careful where you sat. Some of the seats downstairs were behind the pillars supporting the balcony, so you would be forever dodging from side to side to see the screen. Also, one of the rows of seats was quite rickety, and if you weren’t careful, you would find the whole row falling backwards…..with you on it!!!!
Of the other cinemas in Merthyr, the only others I (Ken) visited were the Oddfellows Hall and the Victoria in Dowlais – this was because the queues in Merthyr were so long that we caught the bus to Dowlais to watch the films instead. I only visited each of them once. I remember the Oddfellows Hall was quite big, but a bit old fashioned, and I particularly remember the Victoria because when you entered the auditorium, you came in from under the screen. I had never seen that before.
Those days were poorer, but simpler times, but we were far more contented, and it is sad that all of the history of those days is being washed away.
Merthyr Memories: Merthyr’s Cinemas – part 1
by Kenneth & Christine Brewer
In the decade or so following the Second World War, cinema took hold in Britain in a big way. It sounds like a cliché, but it’s true nonetheless that people loved the all the Hollywood glamour and escapism that the films provided to take their minds off the austerity of post-War Britain.
Merthyr was no exception – going to the cinema became one of the big attractions in the 1940’s and 1950’s. Such was the demand that at one time Merthyr had eleven cinemas – five in town (The Castle, The Palace, The Electric, The Theatre Royal and the Temperance Hall); two in Dowlais (The Oddfellows Hall and The Victoria); one each in Penydarren (The Cosy); Troedyrhiw (The Picture Palace); Aberfan (The Electric) and Treharris (The Palace).
Going to the cinema in those days was a real night out. As well as the main feature, you would be treated to a ‘B’-movie (usually a Western from memory), a news-reel, a cartoon and adverts for forthcoming films. The news-reel footage made a huge impact – we only saw the news in newspapers or heard about it on the wireless, but seeing the pictures on the big screen really brought things home to us. I (Ken) particularly remember my grandmother being very upset and having to leave the cinema when they showed news-reel footage of the liberation of Belsen. Everything was on a continuous loop – there were no showings once or twice a day…the cycle would start at a certain time (‘B’-movie, news, cartoon, adverts, main feature), and would continue non-stop until closing time.
You could also have an ice-cream in the intermission as a treat. These were sold by the usherettes. They were a big part of the cinema going experience, they would show you to your seats, and woe-betide you if you misbehaved – you would have the usherette’s torch shining on you within minutes. Repeat offenders would be asked to leave!!!!
Quite often, after the last showing of the evening, you would emerge from the cinema and the town would be crowded with people coming from other cinemas all hurrying for buses to make their way home.
Forthcoming films were advertised in the Merthyr Express, and people would also turn out in droves to see their favourite stars. In the 1940’s the big stars were Humphrey Bogart, James Cagney, Bette Davis, Joan Crawford, Clarke Gable etc. The big matinée idol at the time was Robert Taylor, and the pin-up girl was Rita Hayworth.
When there was a ‘big’ film it wouldn’t be unusual to see people queuing around the block to get in. The ones that were particularly memorable were ‘The Robe’ at the Theatre Royal and ‘Quo Vadis’ at the Castle. The biggest queues however were for the re-release of ‘Gone with the Wind’ in the late 1940’s (the original release was during the war) at the Castle Cinema – the queues stretched as far as the eye could see.
How times have changed, all of these cinemas have closed, and all but the Theatre Royal and Temperance Hall have been demolished. For many years, Merthyr didn’t have a cinema at all until the Vue Cinema complex was opened at Rhydycar. It’s not the same – the glamour and excitement have all but disappeared.
To be continued……
A Devastating Fire at Dowlais
Ninety years ago today, an enormous fire occurred in Dowlais, devastating one of the town’s most famous factories and destroying a chapel.
On the evening of Sunday 3 July 1927, “soon after worshippers had proceeded to service”, people reported seeing smoke coming from the Messrs D Jones, Dickinson & Company Ltd cake factory on North Street.
Starting with humble means, the two Jones brothers came to Dowlais from Breconshire in the 1870’s and started a small bakery in Union Street with the object “of bringing to the doors of the people the best food at the cheapest price, placing what had previously been a luxury to the wealthy within the reach of the purchasing power of the Working Classes”. Through a combination of untiring energy, determination and hard work, not to mention a talent in baking, the company, ‘David Jones & Co, Dowlais’ soon became a very successful business, and the goods produced by the firm were in demand not only in Dowlais and Merthyr, but all over Britain, and even as far as the Colonies
In 1886, the firm moved to larger premises in North Street, covering an area of over 1,100 square yards, with entrances on Union Street, Ivor Street and Wind Street, and which housed a modern and efficient factory with most up to date machinery. In 1895 the firm became a limited company called Messrs D Jones, Dickinson & Company Ltd.
Within a year however, the factory was destroyed in another fire which broke out on 25 May 1896. The damage, which was estimated at over £5000, was soon repaired and the business was up and running by the end of the year.
On the night of 3 July 1927, the alarm was raised soon after the first signs of the smoke, and the fire brigade soon arrived at the factory. By this time, however, due to the combustible nature of the materials in the factory, the fire had really taken hold, and flames were shooting up into the sky. The fire brigade, hampered by a poor water supply were overwhelmed by the blaze. The firemen concentrated their efforts on saving adjoining businesses and houses, and also Ebenezer Primitive Methodist Chapel in Wind Street which was next to the factory. The fire became so intense that residents on the opposite sides of Wind Street and Ivor Street were evacuated from their houses, and there was a fear that Tabernacle Chapel (later Elim Pentecostal Chapel) opposite the factory in Ivor Street was in danger from sparks and burning debris from the blaze.
Contemporary witnesses state the flames could be seen from Dowlais Top and Garden City, Penydarren, and the fire was described as the biggest blaze in the town for half a century.
By 11.00 that evening, the firemen had managed to bring the fire under control. They had successfully saved all the adjoining shops and houses, but the factory was devastated and Ebenezer Chapel was gutted.
Ebenezer Chapel was later rebuilt, in a much simplified building, further down Wind Street, behind the Oddfellows Hall, and then moved to Francis Street. Messrs D Jones, Dickinson & Company Ltd was rebuilt and continued trading, later moving to the Goat Mill Road Estate and trading as Delberry’s, supplying cakes to several National supermarkets.
