Anyone over a certain age will fondly remember the long-running BBC comedy series ‘Last of the Summer Wine’. One of the longest serving and best remembered characters was the ferocious Ivy in the café, often bellowing ‘What the blood and stomach pills?’ before usually bashing Compo over the head with a tin tea-tray. The magnificent actress who turned, what could have been a one-dimensional character, into one the country’s most well-loved comedy creations was Jane Freeman.
Jane Freeman was born Shirley Ann Pithers in Brentford, Essex on 12 June 1935, to Arthur, a railway engineer, and Joan (née Dewhurst). Her father died in an accident on the London Underground when she was nine and, in 1945, she moved to Merthyr Tydfil when her mother married Russell Evans, a solicitor, and the family settled in Cefn-Coed, with the young Shirley taking her step-father’s surname and adopting Jane as her first name.
Having enjoyed acting in plays at Vaynor and Penderyn School (notably in Shakespeare’s ‘Twelfth Night’, playing the role of Malvolio!), she trained at the Cardiff College of Music & Drama (now the Royal Welsh College of Music & Drama).
After graduating in 1955, she moved to London before joining the Gloucestershire-based all-female Osiris Repertory Theatre touring company, changing her name to Jane Freeman. In her 18 months with Osiris, Jane played around 40 parts in roughly 1,000 performances.
In 1958 she joined the Arena Theatre, Sutton Coldfield, where she began to attract attention, and was seen as Margaret More in the inaugural production of the Welsh Theatre Company – Robert Bolt’s ‘A Man for All Seasons’, at the New Theatre, Cardiff in 1962.
Following repertory theatre in Dundee (1966-7), she joined Birmingham Rep (1967-78), where Michael Simpson arrived from the BBC to become its artistic director. They married in 1971 and Simpson returned to the BBC, eventually directing Freeman in two Play for Today productions – as a snooty seaside landlady in ‘The Fishing Party’ (1972), in which John Comer also appeared, and as the mother of Alan Bleasdale’s Liverpool schoolboy of the title in ‘Scully’s New Year’s Eve’ (1978).
In 1971 she was cast in the new BBC Comedy ‘Last of the Summer Wine’ opposite John Comer as Ivy and Sid – owners of the local café. Appearing in the very first episode, she went on to appear in 274 further episodes of the series over 37 years – the only cast member besides Peter Sallis to appear throughout the entire run of the series.
Although best known as Ivy, Jane made many other TV appearances, most notably in the first series of ‘Blackadder’ (the first series actually being called ‘The Black Adder’) as the peasant woman Tully Applebottom, who almost committed bigamy with Rowan Atkinson’s Prince Edmund, to spare him marriage to Miriam Margolyes’s Infanta; and also as Mrs Kimble in ‘Silas Marner’ in 1985.
Despite her television fame, theatre remained her first love. When television filming commitments allowed, she could be found playing a number of strong, usually northern, matriarchs in ‘Billy Liar’ (Nottingham Playhouse, 1980), touring productions of J.B. Priestley’s ‘When We Are Married’, Michael Frayn’s ‘Noises Off’ (1987) and Johnnie Mortimer and Brian Cooke’s ‘Situation Comedy’ (1989).
She scored a personal success as the sharp-tongued Emma Hornett (a role made famous by Peggy Mount) in Philip King and Falkland Carey’s ‘Sailor Beware!’ at the Lyric, Hammersmith (1991), subsequently touring with it in 1992 and 1993. Later theatre appearances included Pam Gems’ ‘Deborah’s Daughter’ (Library -Theatre, Manchester, 1994) and tours of William Ash’s adaptation of Emily Bronte’s ‘Wuthering Height’s in 1995 and again in 1998.
After her husband Michael’s death in 2007, Jane continued to work, despite suffering a neurological condition that affected her hands and feet, and she passed away after a battle with cancer on 9 March 2017.