Thomas Stephens – part 2

by Dr Marion Löffler

During the 1850s Stephens became one of the two main instigators of a Welsh orthography reform, a subject debated since the misguided efforts of William Owen Pughe. Following a meeting at the 1858 Llangollen Eisteddfod Stephens and Robert John Pryse (Gweirydd ap Rhys) circulated questionnaires that led to the publication of Orgraph yr Iaith Gymraeg in 1859, a valuable forerunner of articles on the same subject published by Sir John Morris-Jones in Y Geninen in the 1890s. These efforts ultimately led to the standard work on Welsh orthographic principles published in 1929.

A marble bust of Thomas Stephens by eminent sculptor Joseph Edwards.

Competing at eisteddfodau was a major incentive and stage for the learning and creativity of many amateur scholars in Victorian Wales and Stephens was no exception. At most eisteddfodau in which he competed between 1840 and 1858 he won, sometimes up to three prizes. His first success was in the Liverpool Eisteddfod of 1840, where he won a prize for his essay on the ‘History of the life and times of Iestyn ab Gwrgant, the last native lord of Glamorgan’. He made his name with a winning essay on ‘The Literature of Wales during the twelfth and succeeding centuries’ at the Abergavenny Cymreigyddion Society Eisteddfod of 1848, which appeared a year later as The Literature of the Kymry. This first study of medieval Welsh literature conducted on the basis of modern scholarly principles was extremely well-received by international scholars, such as Matthew Arnold, Theodore Hersart de La Villemarqué, Henri Martin, Max Müller and Albert Schulz, and an acclaimed German translation appeared in 1864.

Nevertheless, and although he continued to produce scholarly essays for eisteddfodau, The Literature of the Kymry remained the only book-length study of his to be published during his life time. His five-hundred page essay on a ‘Summary of the History of Wales from the earliest period to the present time’ gained first prize at the Rhuddlan Eisteddfod, but remained unpublished due to a lack of patronage. His winning essay at the last Cymreigyddion y Fenni eisteddfod of 1853, on the ‘Remains of the Welsh Poets from the sixth century to the twelfth’, which was to be part one of ‘a complete history of Welsh literature’, remained unpublished for the same reason.

His ‘English prose translation of the “Gododdin” with explanatory notes’, also submitted in 1853, was published in 1888 as The Gododdin of Aneurin Gwawdrydd: An English Translation with Copious Explanatory Notes; A Life of Aneurin; and Several Lengthy Dissertations Illustrative of the ‘Gododdin’, and the Battle of Cattraeth, edited by Thomas Powel (1845-1922). Stephens’s last major work, ‘Madoc: an essay on the discovery of America by Madoc ap Owen Gwynedd in the twelfth century’, failed to win the competition at the 1858 Grand Eisteddfod of Llangollen, because it disproved the tale that Madoc and his followers had discovered America. The result made Stephens a martyr to truth, and the main judge and druid John Williams (ab Ithel) even more notorious than he had been. This essay was published in 1893, edited by Stephens’s neighbour and pupil Llywarch Reynolds.

Stephens turned to the periodical press as a medium of critically reviewing Welsh history in order to replace Welsh romanticism with a more scientific approach. Among his major series of critical essays are those on the romantic forger Edward Williams (Iolo Morganwg) in Yr Ymofynnydd (1852-1853), on the fictional ‘Dyfnwal Moelmud’ and early Welsh law in the Cambrian Journal and Archaeologia Cambrensis (from 1854), on ‘The Book of Aberpergwm’ in Archaeologia Cambrensis (1858), and on ‘The Bardic Alphabet called “Coelbren y Beirdd”’ in Archaeologia Cambrensis (1872). Numerous shorter contributions by him appeared in newspapers like The Cambrian , The Merthyr Guardian, The Monmouthshire Merlin , The Silurian and in periodicals, such as Seren Gomer , Yr Ymofynnydd , Y Traethodydd and Y Beirniad .

Weakened by a succession of strokes, Thomas Stephens died on 4 January 1875 and was buried in the Nonconformist part of Cefn-coed-y-cymer cemetery. The funeral sermon held in his honour at Twynyrodyn Unitarian Chapel, Merthyr Tydfil, was published by request of the members, along with a list of the over 180 books in a number of languages he had bequeathed to Merthyr Tydfil Library.

Twynyrodyn Chapel. Photo courtesy of the Alan George archive.

His archive was donated to the National Library of Wales by his widow’s family in 1916 and is to be found at NLW MSS 904-66 .

Transcripts of the main collection of his letters were made available to the public in 2017 and may be viewed at: https://archives.library.wales/index.php/letters-534 and https://archives.library.wales/index.php/letters-889 .

To view the original article, please follow:
https://biography.wales/article/s11-STEP-THO-1821

Thomas Stephens – part 1

by Dr Marion Löffler

Today marks the 200th anniversary of the birth of Thomas Stephens, the famous historian and social reformer who although not born here, spent the majority of his life in Merthyr. To mark the occasion, I have been given permission to use this article which appears in the Dictionary of National Biography.

Thomas Stephens was born on 21 April 1821 at Tan-y-gyrchen (also known as Tŷ-to-cam, i.e. the house with the crooked roof), in Pontneddfechan, Glamorganshire, the son of Evan Stephens, a well-known boot-maker, and his wife Rachel, the daughter of William Williams (Wil y Gweydd, 1778-1834), a weaver and the Unitarian minister of Blaen-gwrach chapel. Among those who influenced Stephens in his youth were Maria Jane Williams and the Quaker Thomas Redwood (author of The Vale of Glamorgan. Scenes and Tales among the Welsh). Having first attended an elementary school ‘located in a barn’ near Cefn Rhigos, Stephens spent about three years at the Unitarian school founded by David Davis (1745-1827), which during his time there was under the care of John Davies, the former minister of Capelygroes in Ceredigion.

In October 1835, Stephens was apprenticed to David Morgan, a Merthyr Tydfil pharmacist, on whose death in 1841 he took over the business at 113 High Street, which remained his main source of income throughout his life. In 1866, Stephens married Margaret Elizabeth Davies, a descendant of a well-known family of Unitarians from Penrheolgerrig (see Morgan Williams, 1808-1883) in Llangollen Parish Church. Her brother Richard conducted most of the business after Stephens suffered a first stroke in 1868.

Thomas Stephens’s main contributions to the shaping of modern Wales are his efforts as a member of Merthyr Tydfil’s middle class to transform it from an industrial village to an urban community endowed with modern civic institutions; his tireless work on modernizing all aspects of Welsh culture, particularly the eisteddfod, education and Welsh orthography; and his pioneering works of scholarship, especially in history.

As a Unitarian, Thomas Stephens believed in the ability of individuals and society to improve their condition through education and by pursuing rational pastimes. All his work is to be viewed against this religious background. He first put his beliefs into practice by co-founding a public library in Merthyr Tydfil in 1846, for which he acted as secretary until his health failed in 1870, organizing and delivering educational lectures. In this, as in other undertakings, he received the support of Lady Charlotte Guest and Sir John Josiah Guest.

Stephens was one of the campaigners for the desperately needed Board of Health in Merthyr Tydfil in the 1850s, took a leading role in the planning of its Temperance Hall, which would provide rational pastimes for the working classes, and campaigned tirelessly for the Incorporation of the town.

The Temperance Hall. Photo courtesy of the Alan George archive.

He acted as an intermediary between iron masters and workers on more than one occasion. In 1853 it was he who chaired a mass meeting of over 3,000 people, called to achieve an end to long strike action. For the widows and children of the men killed at an explosion at the Crawshay Gethin Pit No. 2 in 1862, he instigated a relief fund, and collected and distributed money until the day before he died. He was a close friend of and political campaigner for H. A. Bruce, Lord Aberdare, Liberal MP for Merthyr Tydfil between 1852 and 1868, and served as High Constable of Merthyr in 1858.

Thomas Stephens’s talent and style as a social critic and reformer with a penchant for acerbic prose first showed itself in a series of letters to The Cambrian in 1842-3, in which he harshly criticized the romantic nature of the eisteddfod. In 1847, and reacting to the publication of the Blue Books , he took a leading part in the controversy over voluntaryism versus the acceptance of governmental grants for educational purposes which was acted out in the Monmouthshire Merlin . He was one of the very few who gave voice to the unpopular view that ‘voluntary exertions would be insufficient to provide education for the very large number of children who now remain uneducated’. For this, he was denounced by representatives of Church and Chapel alike as ‘a maniac and a liar’.

To read the original article, please follow:
https://biography.wales/article/s11-STEP-THO-1821

To be continued……

Bare Knuckles, White Ladies and Martyred Rebels: The Mythic Townscape of Merthyr Tydfil

by Gareth E Rees

The article below is copied, courtesy of Gareth E Rees from his website Unofficial Britain. To view the original article, please follow this link: http://www.unofficialbritain.com/bare-knuckles-white-ladies-and-martyred-rebels-the-mythic-townscape-of-merthyr-tydfil/

In the year leading up the (Not So) Great Pandemic, I was fortunate enough to take a trip around Wales, researching my book, Unofficial Britain on a sunny weekend in spring.

It was just me, my car and a smartphone. Plus some underpants. Clean ones, at that. No expense spared. Those were the days when you could buy pants on a whim, simply by walking into a clothes shop.

One of my aims of my trip was to explore the Brymbo steelworks near Wrexham, where my grandfather worked until his death in 1976, and where my uncle worked until the factory closed in 1990.

As I was to discover, the ruins of the Brymbo works are haunted by a bottom-pinching phantom steelworker and two black dogs, which I saw with my very own eyes, but that is a story you can read in the book when it comes out.

While I was in North Wales, I was accompanied to the secret mustard gas factory nestled in the Rhydymwyn Valley by Bobby Seal, who wrote about it for Unofficial Britain in 2015: The Valley Works: Mendelssohn, Mustard Gas and Memory.

On the second day of my mini-tour I drove to South Wales, stopping at Port Talbot to look at its still-functioning steelworks, where a monk is said to haunt the grounds of Tata Steel (more of that in my forthcoming book, too).

As I approached Cardiff, I decided on a detour to Merthyr Tydfil, once the great industrial centre of the British Empire, dominated by four ironworks: Plymouth, Penydarren, Dowlais and Cyfarthfa. By the 1830s, the latter two had become the largest in the world.

As iron made way for steel in the latter half of the 19th century, the Ynysfach Ironwork closed. Its Coke ovens became a hub for the homeless, destitute and society’s outsiders. At the time is was considered a den of boozing, thievery and prostitution, but it may well have great place to hang out and – from the perspective of today – at least they could all be closer than 2 metres apart.

It was here where local bare knuckle fighter Redmond Coleman became locked in an epic battle with his rival, Tommy Lyons. The fight is said to have lasted over three hours, leaving both men flat out on the ground at the end, panting with exhaustion. It would have made the infamously long fist-fight scene in John Carpenter’s They Live seem like a minor playground scuffle. Redmond Coleman was so attached to the place that he later claimed his spirit would never leave Merthyr and instead would remain to haunt the Coke Ovens.

This form of afterlife was to be the fate of Mary Ann Rees. Alas, she had no choice in her decision to haunt Merthyr Tydfil. In 1908 she was murdered by her boyfriend, William Foy, whom she had followed into Merthyr on her final evening alive, suspecting him of sleeping with someone else. Her broken body was found in a disused furnace. Rees is considered to be the White Lady who today haunts the old engine house: a sad lady in a long, flowing dress.

The decline of the coal, iron and steel industries devastated Merthyr but it remained a hub for manufacturing. In the 20th century the Hoover factory employed over 4,000 people, with its own sports teams, social clubs, fire brigade and library.

In 1985, Sir Clive Sinclair’s infamous C5 battery operated vehicle went into production at the factory. A local urban myth was that the motors for the CV were, in fact, repurposed Hoover washing motors. They created only 17,000 units before operation was shut down six months later.

The factory closed in 2009 and remains a quiet hulk by the Taff at the edge of the town. Across the road is a derelict car park, its tarmac crumbling, with moss and grass creeping across the last faded parking bay lines.

A majestic pylon inside the perimeter of the abandoned car park slings electricity over the factory to the other side of the valley, where its brethren have amassed on the hills in great numbers. Whatever has happened in the past century, power still pulses through the town, coursing through the veins of Wales.

The fall of the Hoover factory was another blow to the economically stricken town, which might have lost its role in the world, but keeps its story alive in public artworks that I saw on my journey.

The past is never far away when you walk through Merthyr, a townscape saturated in industrial lore.

… Near St. Tydfil’s Church is an ornate drinking fountain on a raised plinth. It commemorates the pioneers of the South Wales steam coal trade. Its canopy is adorned with steel motifs of coal wheels, steamboats and a miner with a pickaxe.

…On a modern brick wall in the town centre, beneath a ‘To Let’ sign, is an abstract frieze of the industrial landscape.

….A pub that has opened in the restored water board building is named The Iron Dragon, with two resplendent golden dragons sculptures jutting from either side of the stone columns that frame the door.

…The Caedraw Roundabout outside the Aldi contains a sculpture by Charles Sansbury, which transforms an earth-bound pit winding gear into a 12 metre tall spire, surrounded by a crescent of standing stones, positing some link in the imagination between the Neolithic and the industrial revolution.

…Pink granite benches are engraved with poems about the industrial past. “the stalks of chimneys bloomed continuous smoke and flame”, says one by Mike Jenkins. Another quotes the scientist Michael Faraday:

“The fires from the hills shone very bright into my room and the blast of the furnace kept up a continual roar.”

On another bench I read lines from ‘Merthyr’ a poem by local lad, Glyn Jones:

“…I find what rustles/ Oftenest and scentiest / through the torpid trees / Of my brain-pan, is some Merthyr-mothered breeze”.

In that same poem, Jones describes the post-industrial town’s decayed slum areas mid-century as “battered wreckage in some ghastly myth”.

On this bench pictured below, was a reference to Dic Penderyn and the 1831 Merthyr uprising.

At that time, the town was home to some of the most skilled ironworkers in the world. But unrest was growing….

Locals were increasingly angry about their inadequate wages, while they were lauded over by the industrialists of the town. It was time for change, but they were hopelessly disenfranchised with only 4% of men having the right to vote.

In May 1831, workers marched through the streets, demanding Parliamentary reform, growing rowdier as their ranks swelled. They raided the local debtors’ court, reclaiming confiscated property and destroying the debtors’ records. Growing nervous about the rebellion, which was beginning to spread to other villages and towns, the industrial bosses and landowners called in the army.

On June 3rd, soldiers confronted protestors outside the Castle Inn and violence broke out. After the scuffle, Private Donald Black lay wounded, stabbed in the back with a bayonet by an unseen assailant.

Despite there being no evidence that young Richard Lewis committed the act, he was accused of the crime and sentenced to death by hanging, disregarding the petition of the sceptical townsfolk, and even doubting articles in the local newspaper. The government wanted the death of a rebel as an example to others, and poor Dic Penderyn was to be it, regardless of trifling matters like proof.

He is now an important cult figure in the working class struggle, buried in his hometown of Port Talbot, but remaining here in spirit, one small burning flame of Merthyr’s fiery legacy.

To buy a copy of Gareth’s book, please follow the link on his site.

John Alistair Owen: The Last Manager of the Dowlais Works

by Carolyn Jacob

John Alistair Owen, was a local man who was born in Tramroadside North, Merthyr Tydfil in 1936. There are pictures of him as a child taking part in a concert to raise money for the Merthyr Express ‘Spitfire Fund’.

The Tramroadside North children raising money for the Spitfire fund. John Owen is second from left in front row.

He attended the Quaker’s Yard Technical School and went on to an engineering apprenticeship in Walsall. Following a short period in England, he returned home and joined the former GKN Works (Ivor Works) in Dowlais as a design draughtsman in 1958 and remained there through the BSC years until closure in 1988. Although his high powered job took him to India, the USA and other countries, he was always anxious to return to his family and to Dowlais. He was devoted to his career and to the Dowlais Works. He fought hard to keep the Dowlais Works open but finally had to negotiate its closure; although he was proud of the fact that Dowlais always successfully made a profit throughout its long history.

From his school days, he developed a keen interest in old photographs. In the Dowlais drawing office surrounded by the records of the Dowlais Works, he came to develop a keen interest in its history. When his book ‘A Short History of the Dowlais Iron Works’ was first printed in 1973 Dowlais was still exporting iron all over the world. John Owen was co-founder of the Merthyr Tydfil Historical Society and active supporters of the Heritage Trust and the Dowlais Male Voice Choir. He became the authority on the history of the Dowlais Works and the community which grew up around it.

John Owen in 1974. Photo courtesy of the Alan George Archive.

He built up a large personal collection of photographs on Dowlais; gathering together pictures loaned by local people and also the private collection of the Works and engineering institutes. He produced a number of picture books, these included ‘Dowlais Works and Town’, and four popular books of local pictures published by the Merthyr Tydfil Historical Society. A number of exhibitions in Dowlais Library, containing around 300 photographs each, were financed from his own pocket and these pictures are now all held by the library. He felt that the Dowlais Works had been good to him and so he wanted to give something back to the people of Dowlais, showing them how their ancestors lived and how the environment had changed over the centuries.

When he started giving illustrated slide lectures in Dowlais Library, organised by the librarian David Watkins, there was always a full capacity audience with hardly ever even standing room at the back. Due to their popularity, these talks were extended to numerous locations and continued throughout his life. History and local photographs were his main interests but John still found the time to apply his business acumen in assisting the Merthyr Tydfil Institute for the Blind on a voluntary basis and, after joining the Board in 1991, he became its vice-chairman.

He was a good friend to Merthyr Tydfil Libraries, providing support and advice. John A. Owen, the last works manager of BSC Dowlais, was a keen rugby fan and he sadly died in 1998; only ten minutes into the International between Wales and Ireland in Dublin. He has been greatly missed but he left a large legacy of Dowlais photographs behind him which the late Alan George, with the blessing of John’s widow, Mair, made digital copies of future generations to enjoy and study.

Memories of Old Merthyr

We continue our serialisation of the memories of Merthyr in the 1830’s by an un-named correspondent to the Merthyr Express, courtesy of Michael Donovan.

An extract from the 1851 Public Health Map showing a more detailed view of the area covered in this article.

We must now start from the Dynevor Arms towards the Iron Bridge. A curriery premises was erected and for some time carried on a little way down on the right hand by Messrs M. Davies and Wayne. This was one of the Davies’s of Pantyscallog and a Wayne of the Gadlys, but Mr Wayne migrated to the Carmarthen Tinplate Works, which he carried on for many years.

Anterior to the curriery there was in this very locality a nailmaker working by the name of Samuel Jones. At this time all nails were made by hand (cut and wire nails not yet known). They were all made of slit rods, a process that, as far as South Wales works are concerned, has entirely ceased, and the making of a nail was really a good specimen of the handicraft. There was a small bellows blowing upon the point of the nail, and the work was always carefully held so that the air current passed up the rod. The why and wherefore of this has many a time been thought over, and I acknowledge that no satisfactory solution has ever been found.

Lower down was the residence of of Mr Coffin, who, in addition to curriery, was, or had been, the clerk of the Small Debts Court, and thus became very obnoxious to some, so that at the time of the Merthyr Riots his house and furniture suffered damage at the hands of the mob. One of his daughters afterwards married Mr Thomas Wayne, and resided at Glancynon, near the Gadlys. The other married a Mr William Llewellyn, of Abercarn, the then mineral and other agent of the Llanover Estates. There was a jeu d’esprit in the Cardiff and Merthyr Guardian in or about the time of Mr Wayne’s marriage, showing how very careful he had been, for he not only obtained a wife, but a coffin also.

The British Schools followed Mr Coffin’s garden, and then the Three Horse Shoes Inn, kept by a Daniel Stephens. The next and adjoining was the premises of Mr John Bryant, whose curriery was (as Mr Coffin’s was also) across the road, and Mr Bryant also took Pride’s storehouse for his trade purposes after the railway had rendered canal traffic obsolete, or rather obsolete as far as shop goods were concerned, to Merthyr at that time.

The Three Horse Shoes Inn. Next door is the Kirkhouse, built on the site of the British School. Photo courtesy of the Alan George Archive.

Close to Mr Bryant’s house is a way to Aberdare, which joins the road up from the Dynevor Arms, close beyond Mr Jeffries’ house. On the opposite side of this opening was the Cyfarthfa Surgery. Mr Edward Davies was the head, and in physique always reminded me of the Emperor Nicholas of Russia. Years after, Dr Davies lived at the Court House, and practised after he had left Cyfarthfa. The Miners’ Arms was adjoining. The residences coming next were built by a Mr Teague subsequently.

Bridgefield Terrace with the Miners’ Arms at the centre. Photo courtesy of the Alan George Archive.

To be continued at a later date…….