Memories of Old Merthyr

We continue our serialisation of the memories of Merthyr in the 1830’s by an un-named correspondent to the Merthyr Express, courtesy of Michael Donovan.

Still further on yet, and on the left, were other cottages and a public house called ‘The Ship in Distress’. These cottages and ‘The Ship in Distress’ have long since ceased to be tenantable, but about which I will tell something.

Mr David Morris, the grandfather of the late Mr Thomas Jenkins of Pant, kept the public house, and owing to his not voting in accordance with the wish of his landlord at an election, had notice to quit. Mr Morris then built the ‘Mountain Hare’ and removed there. So much for political pique, but another hardship soon after arose. Upon the cottages etc. becoming untenantable, the owner (who had become so by the marriage of a widow) was John Jenkins, keeping the ‘Cross Keys’ near the lock-up. He applied unsuccessfully, both to the Dowlais and Penydarren Companies, for compensation.  All he got was the part of shuttlecock, the battledores being the companies. In vain did he endeavour to invoke the aid of any solicitor to take up his case until a person (long dead), who shall be nameless, rendered assistance to him. Amongst the excuses urged by the companies was a direct negative that either had worked beneath the property, so that it became necessary to sink a pit upon that small plot and show the minerals had been abstracted. Upon so doing he was able to obtain compensation.

This, or about there for certain, was called Pwllywhead (sic) (Duck’s Pool). Beyond this there were a few cottages, which the inexorable demand for tip room has obliterated. The residence of the old mineral agent of the Dowlais Works, Mr William Kirkhouse, was on the way, and the road ran out to join that from Merthyr to Rhymney Bridge via Dowlais, above or about Cae Harris.

All this is vividly recalled by the sudden death of the late Chairman of the Board of Guardians. Mrs Jenkins, mother of the deceased gentleman, was the eldest daughter of David Morris of ‘The Ship in Distress’. There was also a son who was in the fitting shop at the Dowlais Works, and a younger sister, who married and went to reside somewhere. Do not for a moment conclude that in the turnpike gate times this road was always quite open and free to travel. Ever and anon – particularly on Wain (sic) Fair days – there was a chain stretched across and a collector stationed who required payment before removal of the obstruction.

No doubt many of your readers have heard of a horse and rider going over the bridge and into the gorge at Pontsarn. Let me assure them that it arose from the anxiety to save the payment of toll, and in due time it shall be made clear, for I had the words of the person some few years ago.

To be continued at a later date…..

Merthyr’s Coat of Arms and St Tydfil

by Carolyn Jacob

Upon becoming a Borough in 1905, the Corporation commissioned one of the top Welsh artists of the day, Sir Goscombe John, R. A. to design a suitable Coat of Arms. (Goscombe John was fond of using traditional mythical  heroic images and in 1906 he also designed the Fountain to the Pioneers  of the South Wales Steam Coal Trade to celebrate the efforts of Robert and Lucy Thomas in the steam coal trade).

It was decided that the central figure of the coat of arms should be St Tydfil, as the whole parish is named after her and the original pre – industrial small town grew up around the church dedicated to her. The name Merthyr Tydfil means THE BURIAL PLACE OF TYDFIL.

St Tydfil as depicted in a stained glass window at Llandaff Cathedral

Legend has it that Tydfil was the daughter of a 5th Century Chieftain, Brychan, King of Breconshire. While visiting their sister Tanglwst in Aberfan, Tydfil and her family were massacred by a band of marauding Picts, who came over to Wales from Ireland. It is generally believed that she died on the site of the Parish Church, which bears her name, having defied the pagans and refused to give up Christianity. Tydfil had many brothers and sisters who became saints, including Saint Cynon.  One of her brothers, Cadoc, became the Patron Saint of Brittany. Miracles happened around her grave and the shrine of St. Tydfil the Martyr soon became a place of Christian pilgrimage.

In the Middle Ages a village grew up around the church. There was once a wooden statue in the church representing Tydfil which was probably carried out in a procession on her Saints Day on the 23rd of August. The Royal Charter was in fact formally granted only 6 days before the official Saints Day of Tydfil. This changed with the Protestant Reformation and the statue was possibly destroyed in the seventeenth century when Cromwell’s troops were drinking in the inn near the church.

It is significant that, although Merthyr Tydfil became a major centre of nonconformity and had no Roman Catholics until the Irish came in 1815, the town never abandoned the Celtic Saint, Tydfil although very little is known about her. There are in fact very few British towns named after a female Saint and the association with Tydfil is very special.

The later Merthyr Tydfil First World War Memorial has in its centre the same mythological figure of St Tydfil together with the images of a working miner and a mother and child. All these figures are emblematic of  sacrifice, St Tydfil was sacrificed for her religious beliefs, too often coal miners are sacrificed to the coal mining industry and mothers’ always make sacrifices  for their children.

The Borough Coat of Arms (right) bears a likeness of St. Tydfil as the central  motif. The heraldic description of the Borough Arms (formally granted on the 17th August 1906), is as follows:-

‘Azure a figure representing Saint Tydvil the Martyr, in Chief Two Crosses patee fitchee all Or’.

Tydfil is represented as a hard working saint because in her hands she has a distaff, which is used for spinning.  The placing of the distaff as an important symbol  in the coat of arms  is chosen to signify industry and to represent the proud industrial history of the new Borough of Merthyr Tydfil. The daggers on either side of her head are meant to indicate the martyrdom and to remind us of how Tydfil met her death and that her life was a sacrifice to God.

The motto on the coat of arms- ‘Nid Cadarn ond Brodyrdde’ is taken from an Old Welsh manuscript, ‘The Sayings of the Wise’ and means ‘Not force but Fellowship’.  There is nothing so strong as the bonds of brotherhood. This reflects the strength of Trade Union feeling and the strong political traditions here.

The Borough’s Seal incorporates the Coat of Arms and has three circles, each with individual illustrations, Morlais Castle (the ancient links with Norman Lords), Trevithick’s engine (the innovations and inventions pioneered here) and a blast furnace (the industrial nature of Merthyr Tydfil).

The Borough Seal. © Amgueddfa Cymru – National Museum Wales