In Memoriam: Meta Scott

Following on from the last article, here is a very moving tribute to Meta Scott that appeared in the Cardiff Times on 30 January 1892.

How hard it is to realise the dreadful truth that poor Miss Meta Scott has passed from our midst to the Great Beyond; and that never again shall we see her on the concert platform or in front of a competitive choir!

True, we had missed her from her favourite post for considerably more than a year, but we knew that she lived, and Hope bade us look forward to the time when we should see her again. But Hope, alas was deceptive. That slight, fragile figure for whose reappearance we so often looked, and sighed when we found we had looked in vain, now lies cold and immovable in the Cefn Cemetery. She who was wont to thrill vast audiences with her marvellous performances on the pianoforte and the violin will never again waken the melodies of earth. She has gone to waken sweeter music among the angels. Yet poor human nature refuses to be comforted with this knowledge, “for frightful to all men is death, from of old called King of Terrors”, and we mourn with heavy hearts the loss of one who in public was a brilliant musician, and in private a true and sincere friend.

It is not necessary to enter into details of the career of the deceased lady; those details have already been given by the daily papers. Her career was, as everyone knows, brilliant from first to last. Hers was a life of assiduous labour from her very childhood; she was in very truth a slave to her art. The amount of hard work the poor slight figure got through was really remarkable, and there can be but little doubt that her end was brought about in the same way as that of Kirke White was. There is something unspeakably sad in the thought of one who had toiled so hard, and who was in very truth a child of genius, passing to the tomb just at the moment when the gates of fame were open to her.

Poor Miss Scott was a favourite with all classes wherever she went. She never appeared at a concert without calling forth unbounded enthusiasm from her audience, and as an eisteddvod accompanist she was eagerly sought after. On many occasions have I heard her praised by the adjudicators for her excellent playing with the choirs.

Her last days were full of incidents of an intensely pathetic nature. She was taken ill shortly after the Brecon Eisteddvod, but she continued her work until imperatively commanded to desist by her medical adviser – fighting the fell consumption, that was gnawing her young life away all too soon, with a courage that none who knew her imagined she possessed. But as months of gloomy illness succeeded one another, and that poor fragile form grew weaker and weaker, the sufferer lost hope, and realised that she had been all too surely “nipt by the winds’ unkindly blast”. She saw that all the high hopes which her friends centered on her, and that the career which had opened out so brilliantly and which promised such a glorious future were all to be buried in the merciless tomb.

On the first day of the present year she dictated a little poem which she bad composed on the death of the old year. It was the wail of farewell which the stricken child of genius poured out upon the world she was so soon to leave. A friend came to visit her, and the sufferer on being given her violin attuned its strings and played “Lead, kindly Light”. “There”, said she at the close, “you have heard me play for the last time on earth”.

A few hours ere her poor body lay tenantless she heard the singing of a funeral party that was passing along the road. She requested those near her that at her own funeral the grand old hymn, “Bydd myrdd o ryveddedau” should be sung. Reader, canst thou think of that pathetic request without shedding a tear? And her request was granted. When I heard that old hymn sung with such wonderful impressiveness at Swansea Eisteddvod last August I little thought that ere six months would pass it would be sung by a host of sorrow-stricken men and women over the unclosed grave of poor Meta Scott. But so it was. She whose career had been so meteoric in its brilliancy and whose end was so inexpressibly sad, was laid to her rest amid the strains of the hymn she had asked them to sing at her funeral.

It is not Merthyr alone, but the whole country that is poorer by her loss.

Meta Scott

Today marks the 130th anniversary of the death of another of Merthyr’s great musical talents – Meta Scott.

Meta Scott was born Sarah Margaret Scott in 1860, the daughter of William Scott, a grocer at Brecon Road.

William Scott, an able musician, played the flute in a small band which met in the family home, so the young Meta was surrounded by instrumental music from an early age. It was inevitable therefore that she soon showed her own musical talents, and began taking music lessons at the age of seven, soon excelling in both the piano and violin. It is said that she would practice for up to fifteen hours a day.

The hard work paid off and she was accepted at the Royal Academy of Music to further her studies, winning medals for playing both the violin and piano, and out of 500 students, Meta was chosen as the official accompanist for the Academy at a prestigious concert at St James Hall.

Following her graduation, she moved to Cardiff, and began her career as a performer. She was in demand throughout Wales as both an accompanist and a soloist, and also began teaching. Also, almost uniquely at the time for a woman, she formed and conducted several small orchestras throughout Wales, taking them to various Eisteddfodau and competing with very best of local musicians.

South Wales Daily News – 1 October 1889

The pinnacle of this achievement came at the National Eisteddfod in Brecon in 1889, held in the grounds of the Castle. At the Eisteddfod, she led an orchestra from Merthyr in one of the principal competitions, reaching the final, but narrowly losing out to the Cardiff Orchestral Society under the leadership of Dr Joseph Parry.

It was soon after the Brecon Eisteddfod that Meta Scott became ill. At first it was thought that Meta was suffering from the effects of over-work, but it was soon realised that she was in fact suffering from tuberculosis. She cancelled all of her engagements and returned Merthyr where she fought a losing battle against the disease for the next two years. She died at her family home on 15 January 1892 at the age of 31.

Her funeral was attended by all of the prominent musicians and citizens of Merthyr, and as the funeral cortège made its way from Brecon Road to Cefn Cemetery, hundreds of people lined the route to pay their respects to the beloved musician. The cortège was headed by the Cyfarthfa Band, and followed by the massed choirs of Merthyr who had joined together to pay tribute to Meta. The service was conducted by Rev J G James, the minister of Market Square Chapel, and members Meta’s own orchestra, who had narrowly missed out on first prize at the Brecon Eisteddfod, carried her coffin to her final resting place.