Tag: E T Davies

Merthyr’s Heritage Plaques: E T Davies

by Keith Lewis-Jones

In a new regular feature, local historian Keith Lewis-Jones is going to highlight the many heritage plaques that are dotted about around Merthyr. Following on from our last article, we start with E T Davies.

E. T. Davies
Plaque sited in the pedestrian access from High Street to Zoar Chapel. CF47 8UB

Evan Thomas Davies was born, into a musical family and from a young age loved music. Until 1898 he worked in an office whilst, in his spare time accompanying in concerts.

In 1898 he was asked to accompany a party of Welsh singers to the U.S.A. for nine months. Whilst in America he was asked to accept a musical position, but he declined.

From early on he adjudicated in eisteddfods all over Wales and was the chief adjudicator in the Choral Competition at the Corwen National Eisteddfod in 1918; his adjudication being “a model of terseness and lucidity”.

From 1903 to 1917, he was the organist at Pontmorlais Church in Merthyr. He conducted his first important Cymanfa in 1905 at Pontmorlais and subsequently was very successful as a conductor, with his sympathetic and helpful advice to choir and congregation.

In October, 1920 he was appointed to the important post of Director of Music at University College, Bangor. This was the first time that a full time Director of Music had been appointed at Bangor, and it fell to E. T. Davies to establish and build up the new department. Amongst others, he introduced weekly Chamber Concerts, a College Orchestra and Chamber Music classes.

E T Davies – Another Musical Giant

Evan Thomas Davies was born on 10 April 1878 at 41 Pontmorlais, Merthyr Tydfil. His father, George, was a barber, and owned a shop in South Street, Dowlais. The family was a musical one; George was precentor in Hermon Chapel, Dowlais, for nearly a quarter of a century, and his mother and his mother, Gwenllian (née Samuel) had a fine contralto voice. Evan was brought up in Dowlais, and he was given private tuition coming heavily under the influence of the famous local conductor and organist, Harry Evans. (see http://www.merthyr-history.com/?p=713)

At the age of sixteen, he passed the Advanced Honours Certificate of the Associated Board of the Royal Academy of Music and Royal College of Music. So successful was he in the exam that Sir Charles Villiers-Stanford, a renowned composer, and one of the founders of the Royal College of Music, persuaded him to pursue a musical career. The young Evan didn’t take his advice however, and took a job as an office clerk in Merthyr.

During this time however, he became the accompanist for both Harry Evans’ and Dan Davies’ choirs, and in 1898, he was asked to accompany a party of singers from Wales to the USA, and on his return, he finally decided to pursue a career in music. He soon was awarded the fellowship of the Royal College of Organists, and his reputation as an important musician in Merthyr was cemented during the first few years of the 1900’s performing several Gilbert and Sullivan operas with the Dowlais Operatic Society, and was acclaimed as the successor to Harry Evans as Merthyr’s foremost musician.

In 1903 he was appointed as organist at Pontmorlais Chapel, Merthyr Tydfil, and also became part-time singing teacher at the Merthyr County School. In 1904 he moved to Merthyr from Dowlais, and in 1906, when Harry Evans moved to Liverpool, E T Davies moved into his house ‘Cartrefle’, which housed a three-manual pipe organ.

After gaining his F.R.C.O. his services as a solo organist were in great demand, and he was said to have inaugurated about a hundred new organs in Wales and England. In 1920 he was appointed the first full-time director of music of the University College, Bangor, where he was responsible for numerous musical activities, and collaborated with (Henry) Walford Davies, Aberystwyth, to enhance knowledge of music in a wide area under the auspices of the university’s Council of Music. In 1943 he retired and moved to Aberdare, where he spent the rest of his life composing, adjudicating and broadcasting.

He first came into prominence as a composer after winning the first prize for ‘Ynys y Plant’ in the national eisteddfod held in London in 1909, and although he was not a very prolific composer, and tended to regard composing merely as a hobby, he had a beneficial influence upon Welsh music for more than half a century. Besides writing a few songs, he also composed part-songs, anthems and works for various musical instruments and instrumental groups, and about 40 of his tunes, chants and anthems are to be found in various collections of tunes.

He recognised the excellent work on folk-songs that John Lloyd Williams had done before him at Bangor, and he was one of the first Welsh musicians to find sufficient merit in the folk-songs to arrange them for voice or instrument. His arrangements of over a hundred of these songs, (many of them produced when the composer was in old age) have great artistic merit. He also took an interest in Welsh national songs, and was co-editor with Sydney Northcote of The National Songs of Wales (1959).

He married, 31 August 1916, Mary Llewellyn, youngest daughter of D.W. Jones, Aberdare. He died at home in Aberdare on Christmas Day 1969.