The Birth of Non-Conformity in Merthyr

by Steve Brewer

Religious dissent in the Merthyr area has existed since the middle of the 16th Century. In the 1540’s, a man called Tomos Llewellyn of Rhigos translated William Tyndale’s English translation of the New Testament into Welsh. Llewellyn travelled widely across North Glamorgan and left the seeds of his dissenting beliefs in what was then the village of Merthyr Tydfil. A number of the villagers adopted these beliefs and clung stubbornly to them when the persecution of the Dissenters got underway under the Stuart kings. No matter how stubborn they were in their beliefs, they still had to be converted. If they were found practicing their beliefs, they were given sentences of imprisonment or death.

It is unclear when exactly Non-Conformity started in earnest in Merthyr but we can be sure that it had firmly taken root by the beginning of the 1600’s. The most conclusive evidence regarding the birth of Non-Conformity in Merthyr can be found in the papers of Rev Nathaniel Jones, the rector of the Parish of Merthyr Tydfil between 1640 and 1662. Amongst his papers was found a manuscript, written at some time in the early 1650’s giving a history of the troubles in the town at the time of the Long Parliament – the English Parliament summoned in November 1640 by King Charles I to raise the money he needed to wage the second Bishops’ War against the Scots which eventually led to the English Civil War.

In the manuscript Rev Jones states: “We have, in Merthyr Tydfil parish, a fellowship of men and women, who have for some time been in the habit of holding conventicles, in which some have formulated an ecclesiastical constitution according to their own wishes, contrary to the prevalent laws and regulations of the State Church”. The document emphasizes that this had been going on for about 30 years, so it is safe to argue that the Non-Conformists started holding regular meetings in about 1620. It was then that Non-Conformists from both Merthyr and Aberdare started meeting at Blaencanaid Farm.

blaencanaid-farm
Blaencanaid Farm

Under the aegis of Oliver Cromwell, Parliament relaxed the laws against the Non-Conformists and they began to meet openly. Following the restoration of Charles II to the throne however, new stringent laws were passed against Non-Conformity, foremost amongst these was the Conventicle Act of 1664. The Non-Conformist worshippers, who now numbered between 300 – 400, had to return to meeting in secret at Blaencanaid. They were in constant danger of antagonism and arrest, so a number of men were elected as ‘watchers’ to keep watch whilst the meetings were taking place and warn the worshippers of any imminent danger. Despite all of their difficulties the congregation flourished, so a new meeting place was found at a barn belonging to Cwm-y-Glo Farm. As well as being larger, the new meeting place was more secluded and thus safer than Blaencanaid.

In 1689 the Toleration Act was passed which granted freedom of worship to all Dissenters. As a result the worshippers at Cwm-y-Glo decided to build a proper chapel for themselves. The landowner, Captain David Jenkins, granted them permission to build a chapel at Cwm-y-Glo which was completed in 1690. The congregation at Cwm-y-Glo at this time comprised of many different groups – Quakers, Presbyterians, Arminians and Anabaptists.

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The Ruins of Cwm-y-Glo Chapel

For many years, all went peacefully at Cwm-y-Glo until disputes arose over points of religious dogma, and a bitter argument followed. This is not surprising since the congregation of Dissenters comprised many different denominations. The main split came in 1741 when the Unitarians left to establish their own church at Hen Dy Cwrdd, Cefn Coed. In 1752, Cwm-y-Glo itself was closed when the remaining congregation moved to their new chapel in Merthyr town – Ynysgau.

ynysgau
Ynysgau Chapel

Non-conformity was firmly established by the end of the 18th Century. The Baptists established Zion Chapel in 1788 and Ebenezer Chapel in 1794, the Calvinistic Methodists established Pennsylvania (Pontmorlais) Chapel in 1793, and the Independents managed to establish Zoar Chapel in 1798 and Bethesda in 1807 as well as having acquired Ynysgau. Lastly, the Wesleyans established their chapel in 1796.

Between 1789 and 1850, at least forty places of worship were licensed in Merthyr, Dowlais and Penydarren alone.

Merthyr’s First Cinema

Following on from yesterday’s Commercial Break blog, here is an interesting newspaper article about the opening of Merthyr’s first cinema – The Electric. Not only was the Electric Merthyr’s first cinema, it was also the first purpose built cinema in South Wales.

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Merthyr Express – 22 October 1910

Lots more about Merthyr’s many old cinemas in the coming weeks.

J.O. Francis Plays

Following on from Mary Owen’s fascinating article about Merthyr’s forgotten literary hero, J.O. Francis, Merthyr Tydfil Public Libraries are organising an evening dedicated to him, and have arranged for two of his plays to be staged at the Old Town Hall.

Please note that this a FREE event.

Tickets are available from The Old Town Hall (aka The Redhouse). Telephone – 01685 384111

Merthyr’s Forgotten Heroes

by Terry Jones

Do you have one of these?

south-africa-medal-1877-78-79-001

This is a South Africa Medal, and it was awarded to the soldiers who served in the so-called Zulu Wars of 1877-79.

If you have one lurking at the back of a drawer, it probably means that one of your relatives fought in the Wars.

I am currently researching the Merthyr men, now largely forgotten, who fought at the two most famous battles of that war – Isandlwana and Rorke’s Drift in 1879. These battles were of course immortalised in the films ‘Zulu Dawn’ and ‘Zulu’.

At the present time, I have identified four Merthyr men who fought at Rorke’s Drift on 22-23 January 1879, and 18 who died at Isandlwana on the 22 January 1879. I have also found out about a number of soldiers who returned to Merthyr unscathed.

As I said, these soldiers have been forgotten about in the annals of Merthyr’s history, and I would like to research as much about them and give them the credit they deserve.

If anyone has any information about anyone who served at these two battles, or if one of your relatives served in the battles, please get in touch with me at the following e-mail address:

william_jones24@sky.com

I will be grateful for any information.

A Tribute to Glynne Jones part 2

Carl Llewellyn continues his tribute to Glynne Jones with an account of the concert held his memory:

On the 11 May 2002, at Beulah English Baptist Chapel, Dowlais, the Dowlais Male Choir organized a memorial concert to Glynne Jones, with sponsorship by the Arts, Culture and Tourism section of the Merthyr Tydfil County Borough Council, with all concert proceeds going to the Pendyrus Trust Fund.

The concert began with an introduction by the Dowlais Choir’s chairman Grahame Clarke, who then introduced the evening’s compère –  the late Janice Rowlands, wife of Ted Rowlands, MP; a lady with great talent and charisma, who enlightened the audience with her charm and repartee. She gave a descriptive account of the artists and their musical items. The Dowlais Male Choir sang a number of items including the Easter Hymn from Mascagni’s Cavalleria Rusticana with Zoe Perman singing the solo part.

There were two groups of children taking part; first the Gwenllwyn School Choir followed by Ysgol Santes Tudful Recitation Party. Both groups entertained the audience with their songs and recitations. It was interesting hearing Ysgol Santes Tudful perform the story of Branwen taken from the Mabinogion.  The violinist Paul Horner and the cellist Ciaran Jenkins also performed – they were associated with Glynne, who’d recognized their musical talent.

Janice Rowlands made reference to the children’s message sent on 18 May, known as Good Will Day, when BBC Wales transmitted a message of peace and hope to children of all countries around the world in 12 languages. It was a joy to hear the 2002 message spoken in Welsh and English.

The chairman of Pendyrus Male Choir, Creighton Lewis gave a tribute to Glynne on behalf of Pendyrus Male Choir, and he explained how the Pendyrus Trust Fund would help young musicians – it was decided set up a conductor scholarship, for musicians who wanted to pursue a musical career in conducting and it was an interesting sight seeing a model of Glynne Jones with his baton fabricated out of music paper, the paper image being made by the children of Ysgol Santes Tudful.

It gave Janice Rowlands great pleasure to introduce Dr Terry James, for Dr James comes from Kidwelly – the Janice’s hometown, who reminded the audience that the mother of Wales’ greatest composer Dr Joseph Parry also came from Kidwelly. Dr James is a wonderful raconteur, and with his manner and humorous antidotes he began relating about his personal connection with Glynne Jones.

Dr James began by reflecting that in his memories of Glynne Jones the letter “C” kept coming to mind, mentioning the character, the charisma, and the caring nature of Glynne, giving an account of his reasons for using the letter “C”. Glynne could be flamboyant and an entertaining character, he was man of presence someone who could not be missed, with a passion for projecting the musical talent of young prodigies.

When Dr James returned after living in the USA for 15 years, he met Glynne who commented, “What has happened to your ginger hair locks? With your white beard and thin white hair you look like a prophet after he’d been in the wilderness”.

At one Eisteddfod where Pendyrus Male Choir competed, Dr Terry James was the adjudicator. He was so impressed with the performance he gave Pendyrus the first prize and made some glowing comments about the performance. The following week Dr James received a card through the post card that read “I totally agree with all your comments, Glynne”. Lastly, he related a story about when Pendyrus organized an Australian tour. There are about 100 to sheep to each person in Australia, and when Glynne addressed one of the concert audiences, he referred to the sheep saying that they reminded him that you can beat bit of Welsh Lamb.

It was an added bonus for the choir and congregation when Dr James conducted one of the communal hymns, and accompanied the last hymn on the organ. The Musical Director of Dowlais Choir, Gareth Ellis was not able to be present at the concert, but the baton was in the capable hand of the deputy conductor, Stewart Roberts, who was ably assisted by David Last. The honoured guests were Mrs. Margaret Evans and Mrs. Margaret (Peg) Maliphant sister and cousin of Glynne Jones; Ted Rowlands and Dr Terry James. The present conductor of Pendyrus, John Samuel and his wife Olive were also present – ‘John Sam’ having the benefit of conducting both choirs.

The concert was a fitting tribute to a local musician who had become a notable figure in the Welsh musical world.

glynne-jones-concert-2002

A Tribute to Glynne Jones

Following on from his post on D T Davies, Carl Llewellyn has posted a tribute to another of Merthyr’s musical legends – Glynne Jones

Gofio un o Feibion Enwog Dowlais
by Carl Llewellyn

I would like to pay a small tribute to Glynne Jones a local character and a well-known musician through out the principality and beyond.

Glynne Jones was born on 7 November 1927 at No 3, Glendower Street, Dowlais, the home of his grandparents David & Margaret Jones, who originally kept a small shop on Pant Road near to the La Bodega restaurant, but known to locals as the Slipper. Glynne was the eldest son of David and Annie May Jones, and was brought up with his younger brother Degwel, and sister Margaret.

The Jones family were staunch members of Moriah Welsh Baptist Chapel, that once stood in Mount Pleasant Street, Dowlais. Sadly like most chapels the building is no more. Glynne’s religious background was nurtured at home with his father and an uncle, both deacons in Moriah Chapel. With Glynne’s musical talent it was no surprise when he became the chapel organist, a post he held from 1940 until 1963.

Educated at Cyfarthfa Castle Grammar School later becoming a graduate of the University College Cardiff, after his national service days, he became music master at the Old County Grammar School, where he formed a children’s choir to sing Handel’s Messiah. Glynne conducted the Merthyr Philharmonic Choir 1955-1961. Following early success with the Merthyr Philharmonic Choir and the Silurian Singers he became the Musical Director of Pendyrus Male Choir in 1962.

He was appointed Musical Adviser for Monmouthshire in 1965 and became Senior Music Adviser for Gwent from 1973 to 1990. Among his many achievements can be listed: prestigious conducting engagements on three continents; numerous radio and television broadcasts in Welsh and English; the musical direction of the BBC film “Off to Philadelphia in the Morning” in 1978, and the establishment of the Newport International Piano Competition.

In 1980 Merthyr Tydfil celebrated the 1500th anniversary of the death of its patron, Saint Tydfil the Martyr. A combined concert with Dowlais, Cefn-Coed, Treharris and Ynysowen Choirs was arranged at the Rhydycar Leisure Center on 5 October. with Glynne Jones being invited as the guest conductor. The guest artists at the concert were Stuart Burrows, tenor; Beti Jones, soprano and Huw Tregelles Williams at the organ.

Glynne’s lifelong commitment to Welsh music in education and the community was recognized by a Fellowship of the Welsh College of Music and Drama in 1994, and the award of the MBE in 1996.

Sadly Glynne died unexpectedly on Christmas Day 2000. In Glynne’s lifetime S4C produced a documentary on his musical background, as a mark of respect it was shown again after his death.

glynnejones_1927-2000_

Please check back soon for Carl Llewellyn’s account of Glynne Jones’ memorial service