The Guest Memorial Hall

One of the few remaining historical buildings in Dowlais is the Guest Memorial Hall, or the Guest Keen Club as it is more commonly know today. It has a fascinating, if troubled history.

When Josiah John Guest died in 1852, his widow, Lady Charlotte began thinking of projects to commemorate her husband. Her first project was to build a school for the children of the Dowlais area, and the Dowlais Central Schools were completed in 1855. Whilst the school was under construction, the work-men of the Dowlais Ironworks also wanted to contribute to another memorial to their former employer.

In March 1854, a public meeting was held, and it was proposed that a library and reading room should be built in memory of Josiah John Guest. A committee was set up, and subscription lists were issued – they even placed an advertisement in The Times newspaper. A sum of £2,200 was eventually raised, and Sir Charles Barry was commissioned to design the building.

The Times – 7 June 1854

Sir Charles Barry was one of the foremost architects of the day, his most famous work being the Houses of Parliament. A personal friend of Sir Josiah and Lady Charlotte Guest, he had been responsible for designing the Dowlais Central School.

Unfortunately, Barry’s plans proved too grandiose for the funds available. Work started in early 1855, but by the end of the year, over £5,000 had already been spent on the project. New trustees were appointed, and they were dismayed to discover that not only had a huge amount been spent in excess of the budget, but only the walls and roof timbers had been prepared.

The trustees, having paid for slating the roof and glazing the upper story, called an emergency public meeting. They offered two alternatives: firstly the subscribers could try to find the extra money required to complete the work; or secondly, they could hand over the project to the Dowlais Iron Company who would finish the work, and thus own the building. The subscribers decided on the latter course of action.

The Dowlais Iron Company took over the project, and the original subscriptions were returned to the trustees who used the money to provide annual scholarships for the children taught in the Dowlais schools.

A postcard of the Guest Memorial Hall from the early 1900s. Photo courtesy of the Alan George Archive.

The new library, which was a classical style cruciform two-storey building, the main rooms raised on a basement storey, built of massive stones with a Bath-stone balustraded pillared portico on the first floor, was finally opened in 1863. The total cost of the building was £7,000. The new library was equipped with an excellent collection of books in both Welsh and English, and newspapers and magazines were also available to the public. A part of the building was also set aside to be used as a museum, and fossils that had been discovered in local pits and quarries were displayed there.

The library closed in 1907 when the new Carnegie Free Library opened in Dowlais. The building subsequently became a social club and remains open to this day as a restaurant and as an events venue.

Death of Penry Williams

135 years ago today, Penry Williams, the famous Merthyr-born artist died in Rome. The article transcribed below appeared in the Cardiff Times on 8 August 1885.

DEATH OF PENRY WILLIAMS, THE MERTHYR ARTIST.

LETTER FROM MR C. H. JAMES, M.P.

We have received an intimation that Mr Penry Williams, the artist, died at Rome on Monday morning last, in his 86th year. Mr C. H. James, M.P., writing to, us from Brynley, Merthyr, thus speaks of the deceased painter:- “He was Merthyr born, and attained considerable renown in his profession, several of his works having got into our National Galleries, and into many of the houses of lovers of art in England.”

BIOGRAPHICAL SKETCH

A recent “History of Merthyr” states that Penry Williams was the son of William Williams, a house painter; and after his childhood had passed, with its indications showing the bent and genius of the lad, he began to assist his father, until his remarkable skill in drawing and painting attracted the notice of Mr W. Crawshay, who eventually acted the kind patron, and sent him freighted with letters of introduction to influential people in London. Amongst others he was introduced to Fuseli, then keeper of the Royal Academy – one of those kind-hearted and eccentric men who are apt to be misjudged until thoroughly understood. Penry showed him several sketches he had taken amongst the Welsh mountains, to the great delight of Fuseli, who insisted on purchasing them, and from that time became his staunch friend, and gave him the entrée into the academy until he had won his right to enter there by an exhibition of his artistic powers. This he did in a short time, and steadily worked his way upward to renown.

Years passed in the tedious and often painful struggle for a secure position in the world of art. Every now and then he would visit Merthyr, and the seats of gentlemen who had shown an interest in his welfare, and from them always received hearty welcome and good commissions. For Sir John Guest he painted some charming pictures that were the special favourites when exhibited at the British Institution in Pall Mall: and others of our leading iron-masters were only too proud to possess some of his gifted productions. From that era we trace his career, and see him in the most delightful scenes of England, studying the ever-changing beauties of nature with an eye that never tired and a love that never faltered. Amidst the lonely mountains of his own home, in the ravines of the North, among the bosky shades of Tintern, and then again on the Continent amidst all that nature has perfected in its witchery of beauty, and man has made classic and immortal, there was he to be found perfecting his artistic powers until they ripened in fair proportions, and he became known and famous.

Sir Thomas Lawrence, Gibson, the sculptor, Sir Charles Eastlake, and many others of the gifted band were proud to call him friend, and began a friendship that ended only when, one after another, these peerless men passed away. The story of his efforts and of his triumphs is a long but a triumphant one, for the lad who painted Merthyr signs, and knew many of life’s hardships in his youth, eventually reached the highest eminence, was singled out and patronised by royalty and, far more than this, besides distinction and approval from royal hands, became one of those world-honoured artists of whom Britain is justly proud.

A brother of Penry, deaf and dumb, exhibited singular ability in youth as an artist, but he died ere a prominent position had been won.

Merthyr Memories: The Last Days of Old Dowlais

Some of my fondest childhood memories are the frequent trips I would go on to Dowlais with my aunty.

This would have been in the 1970s when Dowlais was undergoing what was officially called ‘redevelopment’, but which most people would call total devastation. At the time, of course, I was too young to understand the full implications of what was going on – I was just too fascinated by the ‘tractors’ as I called them……I had a fascination with ‘tractors’, and I had quite a few Tonka toys of diggers, cranes etc. Little did I know then the havoc these were causing and the vast amount of history that was being casually swept away.

The ‘Redevelopment’ of Dowlais. The derelict shell of Lloyd’s Bank in Union Street in the 1970s. Photo courtesy of the Alan George Archive

My aunty, who had lived most of her life in Penydarren, had visited Dowlais just as much as she would have visited Merthyr when the former was in its hey-day. Dowlais, then, had everything – cinemas, banks, shops of every description – everything anyone would need for everyday life. By the 1970s however, most of these had gone, and only a few buildings and businesses held on for dear life as the bulldozers slowly worked their way up Union Street. Yet, my aunty would still do what she could in Dowlais.

I remember that we would catch the bus up to Dowlais – we’d go regularly as my aunty would go to ‘pay the coal’ in a business, if I remember correctly, in Church Row. We’d walk up past the Co-op, never the other side of the road…..I didn’t like walking past the steeple of St John’s Church – it frightened me!!! I remember the adverts in the window for various things, and also the posters advertising ‘Co-op stamps’.

Dowlais Co-op in the early 1900s. Photo courtesy of http://www.alangeorge.co.uk/index.htm

Sometimes, after ‘paying the coal’, we would go around the corner to see the then derelict Dowlais Stables and my aunty would tell me all about Josiah John Guest and the Ironworks and about Lady Charlotte opening a school there. Other times we would call into Dowlais Library for her to change her books, and she would chat with David Watkins the marvellous librarian there whilst I looked at the books in the ‘Children’s Library’.

We would also call into one or two of the few shops that were remaining. I particularly remembering going to the shop of Mr Segar’s – the watch and clock repairer in North Street, and be fascinated by all the different clocks around the place. Another shop we would always visit was Crynogwyn’s – the dressmaker in Union Street. This was simply because Crynogwyn or ‘Aunty Cryn’ was an ‘honorary Aunty’. My father, had worked with Cryn’s husband Jack on the railway for many years, and they were very close friends. Cryn was a tiny, gentle, very quietly spoken lady with jet-black hair, and she was one of the finest seamstresses in Dowlais.

Crynogwyn’s Shop in Union Street not long before it was demolished. Photo courtesy of the Alan George Archive

After we had finished all we had to do in Dowlais, we would catch the bus home from outside Ferrari’s Café. If I had been very good (and of course I always was), we would go into Ferrari’s and I would have a cup of hot chocolate as a special treat.

Ferrari’s Cafe in Dowlais. Photo courtesy of the Alan George Collection

These were simple things, but they still remain fresh in my memory. St John’s Church, Dowlais Stables and the Library are all still there, but everything else has gone – swept away in the name of progress. Redevelopment or vandalism? You decide.

In Search of the Dowlais Railway

by Victoria Owens

When the Taff Vale Railway between Merthyr Tydfil and Cardiff received its authorisation in 1836, the Act gave the Railway Company leave to construct a branch to the tramroad at Dowlais. For various reasons, the Railway Company procrastinated over the work, with the result that the Dowlais Iron Company eventually took responsibility for making the Branch themselves. The terms of the 1849 Dowlais Railway Act authorised them to build not only the line, but also a passenger station, situated close both to the Iron Works’ lower entrance gate and the Merthyr-Abergavenny road.

Sir John Guest

Although the 1849 Act allowed the Iron Company five years to complete the railway, it was in fact ready in three. Financed by Sir John Guest, MP for Merthyr Tydfil, promoter of the TVR and soon to be sole partner in the Dowlais Iron Works, at a mile and sixty-eight chains in length, the steep gradient of its route up Twynyrodyn Hill meant that its lower part operated as an inclined plane. The Newcastle firm of R & A Hawthorn designed a stationary engine capable of drawing trains of up to six carriages in length and 33 tons in weight over s distance of 70 chains and 30 links, up the 1 in 12 slope. It had two horizontal cylinders of 18 inch diameter and 24 inch stroke and worked at 50 strokes per minute. The steam pressure was 30 lbs psi.

Viewing its erection in March 1851, a local newspaper drily enquired whether in ten years’ time, a ‘chronicler of local events’ might have reason to report the completion of a notional line ‘from Dowlais to the extreme point of Anglesey.’

Modest it might be, but at the Dowlais Railway’s official opening in August 1851, Royalty graced the ceremony. Three days before the event, just as Sir John and his wife Charlotte were about the set off on a carriage drive, the horse-omnibus drew up outside their home, Dowlais House, bringing Charlotte’s cousin Henry Layard, known as ‘Layard of Nineveh’ on the strength of his recent archaeological discoveries in Assyria, and with him, his friend Nawab Ekbaled Dowleh, whom the newspapers called the ‘ex-King of Oude.’

With the help of Works Manager John Evans, Charlotte organised every stage in the celebration, from welcoming a party of Taff Vale Directors who had travelled down from Cardiff for the occasion, to pairing up her ten children to walk in the procession: ‘viz. Ivor and Maria; Merthyr bach and Katherine; Montague and Enid; Geraint [Augustus] and Constance; Arthur and little Blanche.’ Flanked, probably as much for show as for protection, by the local police, they made their way to the station, decked with greenery for the occasion, with the school-children and company agents following. The ‘trade of Merthyr and Dowlais’ joined them along the way, all to the accompaniment of music from the combined bands of Cyfarthfa and Dowlais.

An 1880 map of Merthyr and Dowlais showing the Dowlais Railway – shown in red from top right to bottom left

From Dowlais station, the passengers travelled to the top of the incline where their locomotive was uncoupled. Messrs. Hawthorn’s engine lowered the carriages down the slope, and the intrepid travellers made their way on to Merthyr. Some of them chose to continue by TVR to Abercynon, but the Guests and their visitors preferred to return to Dowlais.

Later in the day, a ‘small party comprising about five hundred ladies and gentlemen’ enjoyed a sumptuous meal at the Iron company’s Ivor Works, to be followed by speeches and dancing. Sir John, whose health was none too good, left the festivities early but Charlotte remained on hand to propose the healths the Directors of the Taff Vale railway and to open the dancing with Rhondda coal owner David William James as her partner. With Layard as his interpreter, the Nawab set the seal upon the day’s pleasures by expressing his delight at the hospitality that he had received in Dowlais and asserting that he had never enjoyed himself so much as he had during his ‘brief sojourn’ in Wales.

Although Sir John envisaged the Dowlais Branch primarily as a mineral line, he seems to have been perfectly happy with the requirement that it should also accommodate passenger traffic. Records indicate that over 1853,it came in for usage by 755 first class, 1884 second class and 7253 third class passengers but, sad to say, disaster struck at the end of the year. December 1853 witnessed an ugly accident when a passenger carriage over-ran the scotches to hurtle down the Incline unchecked and two passengers lost their lives, with five more suffering serious injuries. Officially speaking, passenger traffic on the railway ceased in 1854.

Unofficially, as Merthyr Tydfil writer Leo Davies would explain, it was usually possible – given a combination of unscrupulousness and agility- to obtain a lift. In an article of 1996, he described the whole unorthodox procedure in graphic detail. Access was obtained via the wingwall of a bridge and through some railings. The sound of the hawser gave advance warning of the approach of a train on the incline – ‘four ballast trucks, each half-filled with sand.’ Travelling typically at ‘a nice, sedate trotting pace’ there was evidently ample scope for the non-paying passenger to grasp the outside rim of the buffer, and ‘swing both legs up and around the buffer spring housing.’

An aerial view of the Twynyrodyn area. The Keir Hardie Estate is being built to the left and the route of the Dowlais Railway can clearly be seen running vertically in the photo. Twynyrodyn School is visible middle right. Photo courtesy of the Alan George Archive

The Dowlais Railway closed finally in 1930 and the trackbed would be filled in sixteen or so year later, over 1946-7. In the 1990s, when Leo Davies reminisced about the ‘Inky’ as he fondly calls it, the ‘straight, green, grass grown strip of land’ ascending Twynyrodyn Hill remained visible. Perhaps, with the eye of knowledge or faith it remains so. Admittedly, former pupils of Twynyrodyn School remember the old line’s route, but without local knowledge it is not easy to trace. Only a few yards of broad green path survive to mark the site – perhaps – of the old trackbed and the name ‘Incline Top’ given to a hamlet at the edge of a plateau of rough ground extending towards Dowlais and its great Ironworks commemorate the location of Sir John Guest’s last great enterprise.

Sign for Incline Top, photographed May 2019

The Church of St. John the Baptist, Dowlais 

by Carolyn Jacob

The Church of St. John the Baptist, Dowlais was built in 1827, and it is likely that the Dowlais Church was named after its founder and benefactor, Josiah John Guest, iron-master of Dowlais and known as Sir John Guest.

Although brought up a strict Wesleyan Methodist he decided that the religious welfare of the workmen called for a church in Dowlais and that the industrial success of Dowlais called for the establishment of Dowlais as a Parish in its own right. Guest paid £3,000 towards the cost of the building and it was consecrated and opened on 27 November 1827 by Dr Sumner, Bishop of Winchester and former Bishop of Llandaff.

The original St John’s Church. Photo courtesy of the Alan George Archive

Lady Charlotte Guest presented the Church with its Communion vessels and Sir John Guest contributed generously to the maintenance of the clergy at Dowlais; he also supported many chapels in the area. Sir John died in Dowlais on the November, 1852 and a plain Italian marble slab at the top of the Chancel steps still marks where he is buried in St John’s Church. A massive marble columned tablet is inscribed with his epitaph. St. John’s Church thrived and held two services each Sunday, two services in English and also two in Welsh and so it catered for both languages.

Josiah John Guest’s memorial. Photo courtesy of the Alan George Archive

The original Church was a plain, simple, square building with tall windows and a square tower. Gradually the Church has been extended, rebuilt and enlarged.

During the 1890s the main Nave was rebuilt with additions to the aisles to allow room for the growing congregation and enable 800 sittings.The Church was restored at a cost of £4,500 under the direction of the architect E.A. Johnson, who later designed the Merthyr Tydfil Town Hall. Most of the expense was paid by Lord Wimborne, eldest son of the founder Sir John Guest; although a great bazaar in Dowlais raised £1,000 which was a huge amount in those days. The new extended aisle was the gift of Edward Pritchard Martin, General Manager of the Dowlais Iron Company in memory of his father George Martin.

Photo courtesy of the Alan George Archive

This family also financed the splendid decorative ‘Miner’s Window’ in the Church which show two coal miners digging at a coal face with the caption underneath, ‘The Thing that is hid Bringeth he forth light’. Such an industrial motif in stained glass is quite unusual to be found in a Church.  The bare headed miners, with their picks, candles, and their clothing and boots, present an accurate image of a coal miner (see right).

The interior of St John’s is imposing because of its sheer size. The tall fine oak roof of the Nave is a hammer beam type, supported by 6 larger and 5 smaller corbel tables on each Nave wall. The interior walls are double thick yellow brick. The five plain Early English styled columns with rounded bases can still be seen inset to the new west Nave wall.

Photo courtesy of the Alan George Archive

The Martin family had charge of the Collieries for the Dowlais Works and the American singer, Donny Osmond, claims descent from this famous Dowlais family, whose Brass plaques and monuments are still in the Church. The enlarged and redesigned Church was opened officially in October 1894 with a special service.

The present Church is a fine structure of Llancaiach blue pennant stone, after the Gothic style of the 13th and 14th centuries.  This wonderful Gothic church has long been a central land mark in Dowlais and has changed little since the late nineteenth century, although the former vestry has been demolished.  St John’s Church is 112 feet in length, with a maximum width of 84 feet and about 60 feet high. The whole construction is of masoned Pennant stone, but the doors and windows are surrounded with lighter coloured ashlar blocks of Forest and Bathstone trimmed with dripstone and moulds. This magnificent church was always perhaps too large for its congregation in this most non-conformist of towns.

The ‘new’ St John’s Church. Photo courtesy of the Alan George Archive

Far less than 10% of the population here attended an Anglican Church. In our more secular times in proved to be too large for its Dowlais Congregation and it closed in 1997. The church is currently undergoing conversion to residential flats which will retain its original fine structure.

Merthyr’s Chapels: Hermon Chapel, Dowlais

We continue our feature on the chapels of Merthyr with a look at one of the oldest and largest chapels in Dowlais – Hermon Welsh Calvinistic Methodist Chapel.

In 1791, an elderly lady named Mary Taylor moved to Dowlais from Dinas Powis, but upon arrival in Dowlais she found that she was the only Methodist in the area. She was soon joined however by a Mr Thomas Davies, and they started worshipping together. Gradually, others joined them, and they began worshipping at Pontmorlais Chapel in Merthyr before they were given permission to meet in Dowlais on the premises of Mr Thomas Williams, a local shoemaker.

As the congregation grew, they decided, in 1806, to open a Sunday School, and in 1810 they formed themselves into an established cause. The worshippers continued to meet in private houses until they took out a lease on the small Bethel Chapel; the Baptist Cause that had started there having failed.

The congregation continued to grow and in 1827 they decided to build their own chapel on a plot of land acquired at the bottom end of Gwernllwyn Isaf Farm. This was the first chapel of any importance to be built in Dowlais.

In 1837, the freehold of the land on which the chapel was built was purchased from Mrs Mary Overton, and it soon became apparent that chapel was too small to accommodate the ever growing accommodation. A new chapel was designed by Rev Evan Harris, minister at Pontmorlais Chapel, and the very large new chapel was completed at a cost of £2,000 and opened in 1841.

The interior of Hermon Chapel

It is interesting to note that  Josiah John Guest, owner of the Dowlais Ironworks, and a staunch Anglican, contributed £50 to the rebuilding of the chapel. The reason he gave was that he was pleased to hear that none of the congregation had participated in the Chartist Riots.

Hermon Chapel was subsequently regarded as one of the most important Calvinistic Methodist Chapels in Wales and became the mother church of Libanus Chapel, Calfaria Chapel, Elizabeth Street Chapel and Radcliffe Hall, Penydarren, as well as being prominent in the founding of Nazareth, Fochriw; Ysgwydd Gwyn, Deri and Gosen, Bedlinog.

The magnificent Nicholson organ in Hermon Chapel

In 1901 a new school room was built adjoining the chapel at a cost of £1,000, and in 1904 major renovations were undertaken costing £3,000, including £600 for a magnificent pipe organ built by Messrs Nicholson and Lord of Walsall.

With the redevelopment of Dowlais, the chapel was forced to close and in 1962, became the first of Dowlais’ chapels to be demolished.

The Taff Vale Railway

In 1835, the major industrialists in Merthyr began considering building a railway line from Merthyr to the Bute Docks in Cardiff. To this end, Anthony Hill, owner of the Plymouth Ironworks, contacted Isambard Kingdom Brunel, to estimate the cost of building such a railway – Brunel replied quoting an estimate of £190,649. The industrialists subsequently held a meeting, chaired by Josiah John Guest, at the Castle Inn in Merthyr, to discuss the issue, and decided to request Parliamentary permission to form a company to build the railway. Permission was granted an the company was incorporated the following year.

On 21 June 1836 Royal Assent was given to The Taff Vale Railway Company’s Act, allowing for the creation of the Taff Vale Railway Company. The founding capital of the Company was fixed at £300,000, in £100 share units. The directors were Josiah John Guest, Walter Coffin, Edward Lee, Thomas Guest, Thomas Guppy, Thomas Powell, Christopher James, Thomas Carlisle, Henry Rudhall, William Wait, William Watson, and Peter Maze. Company profits were capped at 7% originally, with a clause allowing for an increase to 9% subject to a reduction in the rates and tolls charged for use of the line.

The Act also capped the speed of the trains on the line to 12 mph (19 km/h), with stiff penalties for any speeding.

Construction of the railway was started in 1836, and the stretch from Cardiff to Navigation House (later named Abercynon) was opened in a formal ceremony on 9 October 1840, with public services starting the next day. The stretch from Abercynon to Merthyr was opened on 12 April 1841. The railway was single-line for its entire length, with passing only possible at or near the stations. It was not until 1857 that it became a double line. Brunel, the chief engineer, had chosen a narrower gauge (4 feet 8.5 inches or 1.435 m) than the 7 foot (2.134 m) gauge he would later choose for his Great Western Railway in order to fit the railway into the narrow space allowed to him by the River Taff valley.

Construction of the main line was relatively straightforward. The line mostly followed the course of the valley, and therefore needed few bridges and no tunnels. Brunel designed an impressive skew stone arch viaduct at Pontypridd, which spanned 110 feet (34 m) over the River Rhondda; the viaduct is still in use today, although it has been supplanted by a second, parallel viaduct. A similar viaduct was built at Quakers Yard.

The TVR’s original station in Merthyr was at Plymouth Street and was opened on 12 April 1841.

The Taff Vale Railway Station at Plymouth Street. Photo courtesy of http://www.alangeorge.co.uk/index.htm

This was joined in 1853 by the High Street station of the Vale of Neath Railway. A short joint line (TVR and GWR) was built to connect the TVR line to the new station in 1877. A year later, in August 1878, the Taff Vale transferred all of its passenger services to the High Street station, and used Plymouth Street as a goods depot instead. High Street station thus became the only passenger station in Merthyr, and was used by a total of six separate companies prior to the 1923 grouping. The TVR also opened stations at Merthyr Vale in 1883 and Pentrebach in 1886.

Merthyr Vale Station. Photo courtesy of http://www.alangeorge.co.uk/index.htm

The main line of the TVR was 24 miles (39 km) long. However, no fewer than 23 branch lines took the full length of track to 124 miles and 42 chains (200.40 km). Many of those branch lines were smaller lines taken over by the TVR – in 1841 a branch line was opened in the Rhondda going as far as Dinas, and a second was opened to Llancaiach Colliery. The Rhondda line would subsequently be extended, and by 1856 it had been extended into two lines – one to Maerdy and the other to Treherbert.

The TVR proved its worth immediately. At its peak, two trains a minute passed through the busiest station, Pontypridd. By 1850, the TVR was carrying 600,000 tons (600,000 metric tons) of coal per annum, and was paying a 6% dividend.

The line was conceived as a goods line, carrying iron and coal. However, it also ran passenger services from the beginning. There were two passenger trains each way daily, including Sundays. This was extended to three weekday services in 1844. Single fares from Cardiff to Merthyr were 5 shillings for first class, 4s. for second class, and 3s. for third, and were each reduced by a shilling in 1845.

The Taff Vale Railway continued to operate as a company in its own right until it was incorporated into the Great Western Railway in 1923.

The current railway line between Cardiff and Merthyr now follows the route of the original Taff Vale Railway.

A Map of the Taff Vale Railway System in 1913

Quakers Yard Viaduct – an addendum

Following on from yesterday’s article about Quakers Yard Viaduct, historian Victoria Owens, a regular contributor to this blog has sent the following fascinating observation.

Lady Charlotte Guest, found the viaduct a source of total wonder and delight. In her journal entry for 25 October 1839 she describes a visit to the site while the bridge was under construction. It sounds as though John Guest was keen to show it off to a party of his friends, which included Edward Divett MP (he would be one of the trustees appointed to run the Dowlais Ironworks on Josiah John Guest’s death) and his fragile-sounding wife. Charlotte writes:-
When the carriages had reached that point of the turnpike road nearest to the viaduct, we got out and walked to it. There was more scrambling to get there than some of the ladies liked – We crossed by the scaffolding as I had done before & all the party went back over it in the same way except Merthyr and myself and we went over the bridge itself, scrambling over the rough masonry. – Three of the six arches were not closed and in these places we had planks thrown down across for us & I believe I was the first female that ever crossed this bridge, and at the height of some 70 or so feet it appeared a perilous undertaking thought it was not really so . The expedition fatigued Mrs Divett so much that she was not able to dine with us, which the men regretted, as we had a very pleasant evening and had some singers to entertain us with welsh songs.