Tag: Henry Austin Bruce

Keeping up with the Joneses: A Family of Merthyr Artists – part 1

by Christopher Parry

William Edward Jones made himself unique among the portrait painters that have settled in Merthyr Tydfil, because not only was he exceptionally talented, but he also was father to six children, several of which were named after famous renaissance artists, who became artists themselves.

William Edward Jones was born in Newmarket, Flintshire, in 1825. He was the son of James Jones, an Ironmonger, but it is unclear the path William took to become an artist instead of an Ironmonger. What is clear is he was ‘a “born” painter, gifted with an intuitive apprehension of the principles of his art, as well as great capacity for applying them…’ Though it is unknown if he had any formal training as an artist, by the age of 24, he had moved to Wrexham and was working as a portrait artist. He then went to Liverpool and eventually to London. While in London he displayed artwork at the Royal Academy and became a well-regarded portrait painter, but competition there was fierce. A chance meeting with two men that were bound for Merthyr Tydfil made William realise that maybe he could go to this iron metropolis and make a name for himself.

In 1853, he arrived in Merthyr Tydfil and it was not long before he established a portrait painting business on Glebeland Street, Merthyr Tydfil. 18, Glebeland Street would be his residence and studio for the rest of his life.

One of his first notable commissions seems to be of Lord Aberdare, Henry Austin Bruce, in 1853, and from there steady commissions would continue.

Henry Austin Bruce, c 1853, William Jones, Peoples Collection Wales, LLGC

By 1856, William had accepted what would be his most impressive portrait yet, a portrait of John Evans, the Dowlais Works Manager. Evans was retiring and those who admired him at Dowlais decided to commission a portrait. The portrait was unveiled at a Temperance Choir concert in the Dowlais Schools in May 1856. The portrait of Evans is one of only two known portraits painted by William that are still in Merthyr Tydfil. It hangs on the walls of Cyfarthfa Castle and is a huge canvas with astounding details, such as a painting of Dowlais Works on the wall in the background, along with engineering documents strewn across the table in front of John Evans. The portrait is one of two created by William in 1856, the other is a portrait of John Evans brother, Thomas Evans.

John Evans, c 1856, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery

The portrait of Thomas, who was an agent and manager at Dowlais also, was commissioned by those in Dowlais who were saddened by his passing in 1846. This was a problematic commission for William, as he had never seen Thomas and no reference to what he looked like existed. Those who knew Thomas gave William descriptions and the rest was down to the artist’s skill to create a perfect likeness. When the painting was complete ‘no one having formerly known Mr. Evans, can mistake who the painting is intended to represent’. The painting was unveiled in August 1856, and was transferred to the possession of the local council by the early 1900s. The portrait of John fell into the ownership of the council too, eventually being one of two paintings that hung in the council chambers until 1910, the other being a portrait of Henry Richard by William Gillies Gair. The portrait of Thomas Evans is heavily damaged but remains in Merthyr Tydfil.

William would go on to create a painting titled ‘The Last Bard’, which won him awards at the National Eisteddfod in 1859. In 1863, he was commissioned to paint the Mayor of Neath, Evan Evans, which was praised for its ‘fineness of execution and accurate delineation of feature…’ William would even produce pencil drawings, most notably he would capture the chaos of the moment disaster struck in 1874, when runaway carriages collided with a train and destroyed part of Merthyr’s Central Station.

Scene of the terrible accident at the Vale of Neath Station – c 1874, William Jones, Courtesy of Cyfarthfa Castle Museum & Art Gallery.

William was a Freemason and was commissioned frequently to paint other members, which meant he was solidly painting throughout the late 1850s, right until the late 1870s. There is currently no overall known number of how many portraits William created when he was living in Merthyr Tydfil. Many portraits had been commissioned for people outside of the town, for widowers of Freemasons, industrialists that moved on from the town and so on. In the aftermath of William’s death in 1877, there was an auction of work from his studio and one advertisement stated that there were over one hundred pieces for sale.

Merthyr Telegraph – 2 November 1877

The paintings have undoubtedly gone everywhere across Britain and further afield, so they are now incredibly difficult to trace. Dr Fred Holly, in an article appearing in Merthyr Historian: Volume 6 has made the best attempt to collect information on the artwork that survives, but even that list is miniscule compared to the actual art William created in his heyday.

On July 2, 1858, William married Elizabeth Wilkins, daughter of William Wilkins, who lived on Morlais Street, in the Glebeland. William Wilkins was a Hotel Keeper, who managed the Temperance Hotel, which was also in the Glebeland at Merthyr Tydfil. William and Elizabeth would have six children in all. The eldest, William Angelo, named after the famous renaissance artist. Then James Raphael, named after another Italian artist. Francis Lawrence followed, named after Thomas Lawrence, the English portrait painter. The only daughter then followed, Rosa, named after the French artist Rosa Bonheur. Then Leonardo Devinci (spelt with an E not A) Jones; another nod to beloved Italian artists. Finally, Ernest probably named after the French artist Ernest Meissonier.

The 1870s, when many of them were coming of age, must have been a devastating time for the children as Elizabeth died in 1870. Her father William Wilkins moved into 18, Glebeland Street to help William, but he then passed away in 1873. William then, while putting the finishing touches on a portrait, died in 1877.

To be continued……

Merthyr’s Ironmasters: G T Clark – part 1

This article is a transcription from a publication now in the public domain:  Dictionary of National Biography (1st supplement). London: Smith, Elder & Co. 1901

George Thomas was born in London on 26 May 1809, the eldest son of George Clark (1777–1848), chaplain to the royal military asylum, Chelsea, and Clara, only surviving daughter of Thomas Dicey of Claybrook Hall, Leicestershire, and he was educated at the Charterhouse. Adopting engineering as a profession, he was entrusted by Brunel with the construction of two divisions of the Great Western Railway; the Paddington terminus and the bridges at Basildon and Moulsford being his principal works While thus engaged he compiled ‘A Guide-book to the Great Western Railway, containing some Account of the Construction of the Line, with Notices of the Objects best worth Attention upon its Course’ (London, 1839). This, the first guide to the line, was published officially without his name, and dedicated to Brunel. A more detailed account, which he subsequently wrote, of the geology and archæology of the country traversed by the railway, was published, with numerous illustrations, as ‘The History and Description of the Great Western Railway’ (London, 1846); but the only name attached to it was that of the artist, John C. Bourne.

In about 1843 Clark went to India, where he was employed by the government to report on the sewerage of the native town at Bombay, and afterwards upon the extension of the salt works of the district. Here he advocated the construction of the first railway in India, that from Bombay to Tannah, afterwards merged in the Great Indian Peninsula Railway, for the promoters of which he also reported on the feasibility of an extension through one of the mountain passes of the Sahyadri or Western Ghauts. On account of the climate he declined an offer of the chief engineership of the new line and returned to England. In consequence of an article on sanitary reform which he contributed to the ‘Westminster Review,’ he was appointed a superintending inspector under the Public Health Act, 1848, and reported on the sanitary condition of a large number of towns and districts, in many of which local boards were formed through his efforts. His success as an inspector was recognised by his promotion to be one of the three commissioners which then constituted the general board of health.

Towards the close of 1852 Clark, however, became trustee of the Dowlais Estate and Ironworks, under the will of Sir Josiah John Guest. For some time previously the works had been carried on at a loss; but having procured the necessary capital and induced Henry Austin Bruce (afterwards Lord Aberdare) to share with him the responsibility of the trusteeship, Clark took up his residence at Dowlais and devoted all his energies to the development of the works and the redemption of the estate. As Bruce devoted himself to politics, the whole responsibility of management devolved on Clark alone, whose rare capacity for administration was displayed no less by his rapid mastery of a complicated situation than by his wise selection of heads of departments, chief among whom was his manager, William Menelaus.

© William Menelaus (1818-1882); Hagarty, Parker; Cardiff University; http://www.artuk.org/artworks/william-menelaus-18181882-159291

To Clark and Menelaus belongs the credit of being the first ironmasters to assist (Sir) Henry Bessemer to perfect his process for making malleable iron direct from the ore. The inventor was invited to Dowlais to conduct experiments, with the result that the first rail ever rolled without the intervention of the puddling process was produced at Dowlais. The prompt adoption of Mushet’s further invention enabled Dowlais to be first in the field in the production of steel rails, and to enjoy for some time the monopoly of that trade in Wales. The consequent expansion of the industry, and the difficulty of procuring an adequate supply of suitable ores at home, led Clark, in conjunction with the Consett Iron Company and Messrs. Krupp of Essen, to acquire an extensive tract of iron-ore deposits near Bilbao in Spain.

A Bessemer Converter

To render the works independent of the vicissitudes of the coal trade he also purchased large coal areas, undeveloped for the most part, in Glamorganshire. To save the inland transport he finally procured the establishment, in 1888-91, of furnaces and mills in connection with Dowlais, on the seaboard at Cardiff. He was induced by Lord Wimborne (Ivor Guest, eldest son of Josiah John) to continue his administration of the Dowlais undertakings down to the end of March 1897, though his trusteeship had expired more than twenty years previously. Under his regime Dowlais became in effect a great training school which supplied to similar undertakings elsewhere a much larger number of managers and leading men than any other iron or steel works in the country.

To be continued…….

A Special Day in the Social History of Merthyr Tydfil

by Mary Owen

On this day in 1896, an extraordinary event occurred in the ‘urban district’ of Merthyr Tydfil: The County Intermediate and Technical School opened for work. Parliament had not yet recognised Merthyr as a proper ‘town’ but it had recognised the need for Welsh boys and girls to further their school studies until the age of eighteen and even to set their sights on a university education, if desired. These were children of working-class and small businessmen parents who could not afford the luxury of private or public- school tuition for their offspring. The school opened without ceremony but in a formal gathering in January 1897 Professor Villiamu Jones, Principal of University College, Cardiff, ended his inaugural speech, hoping that many Merthyr pupils would pass into that college in the future. Over seven decades a fair number did just that.

The curriculum planned for the new secondary stage -‘county intermediate’ schools – in   deprived, industrial areas of Wales was based on that of older grammar and public schools. They soon became known as county ‘grammar’ schools. Merthyr’s school was equipped to take in 100 boys and 80 girls who would pay a small fee. The knowledge of its young people broadened and their quality of life improved. Sadly, many children were not touched by this new venture and still left school at twelve, or earlier, usually because they had to, in order to earn a pittance – often down the mines – to boost the family income. The luckier ones, among whom were budding scholars, knew that a place in the school was a gift; some began to cherish ambitions of going to the new university colleges at Aberystwyth or Cardiff. Parents usually supported those youngsters even though it would mean seeing them leave home eventually – and possibly forever. Attendance numbers fluctuated but most pupils accepted that the new system of extra years and important exams would bring rewards.

Photo courtesy of the Alan George archive.

J.O. (John Oswald) Francis entered the school, at the age of fourteen, on the day it opened. He lived above his father’s farrier shop in 41, High Street, opposite the Baptist Chapel. He excelled at his studies and became a distinguished London dramatist, public speaker and broadcaster. When he left Merthyr at the age of eighteen his memories of the lively town stayed with him and inspired him to write plays and stories for nearly half a century. This is what he told wireless (radio!) listeners about the school in a B.B.C broadcast in the 1950s:

From St David’s School I went to the Higher Gradeschool in Caedraw. For boys whose parents did not send them away to school-and very few parents in Merthyr sent their children away for education- the Higher Grade was the limit the town offered us and it could not offer us much because it wasn’t linked to a university. For a boy who wanted to go on learning, Merthyr was a blind alley, a dead end. Then a rumour came flying about amongst us boys- flying for some of us like a bird with bright wings- a new kind of school was to be opened in Merthyr – a County Intermediate School that would provide secondary education up to quite a high level. And what a blessing the school was to Merthyr! What a blessing it was to me! I was young enough – and only just young enough – to take advantage of the new system. Had I been a year or two older I should have had to stay outside that learned paradise, looking rather hungrily at the gates that were closed against me. I was only a slip of a lad but I had enough sense to see what had happened. Merthyr was no longer a dead end. Merthyr was opportunity. I went for the opportunity with eager hands. At the end of my time at the County School I passed the Central Welsh Board’s examination and -manna from heaven! – I was awarded a County Exhibition of forty pounds a year. That was quite a big sum in those years and it eased my way to Aberystwyth to study for a university degree.

Fifty years on, as Francis made his way up to the school, during a visit to Merthyr, he mused on the opportunities his education had brought him:

 I am one of those lucky people…I realised more clearly than ever how much I owed to the school… I made bold to go in. I found the headmaster, Dr Lewis, who received me with great kindness. We talked together and he went off and came back with a big, brown, covered book. ‘This book is a permanent register of pupils who have been at the school’, he said. ‘I’ll show you your name.’ He opened the book and my name, written in full, was on the first page That got me all warmed up with sentiment… Then Dr Lewis took me to see the Honours Board on which were set out the names of pupils, who had won academic distinction. And there in the glory of gilt lettering, was a record of my having taken a B.A. degree-a degree I went off to work for in Aberystwyth fifty-five years ago.

Francis also hints in one of his stories that he was aware that although some pupils enjoyed the new subjects like Latin and French, they didn’t stay on, having been persuaded by proud collier fathers that their future was in coal-mining.

Others reminisce on past times at the school, now demolished, but of blessed memory:

Ceinwen Jones (now Statter), writes: I went to The County from Penydarren School in 1954. After the Easter holiday the whirlwind that was Glynne Jones arrived to teach us music. He changed my life! He set up a choir when about half the school came back (out of uniform) on Friday evenings. We went on to sing works like The Messiah. Thanks to some excellent teaching I went to Cardiff University to study French and Italian and then trained as a journalist on the Western Mail and Echo. Although being away in Reading for over forty years I have never been out of touch with friends like Sandra Williams, Merryl Robbins, Helen O’Connor and the sadly missed Valerie Baker and Byron Jones.

County School Choir. Photo courtesy of Ceinwen Statter

Ian Hopkins, a former Head Boy (1959-1960), also went on to Cardiff – to take a B.Sc. degree. He returned to Merthyr for long service in teaching and in choral activities: I entered the County Grammar School in 1953 and spent seven happy years there. Two of the teachers – without belittling the others – had a profound effect on my life, viz Elwyn Thomas (Head of Maths) and the inimitable Glynne Jones. The school choir was more than merely a musical organisation: Friday evening 6.00 pm rehearsal was the focal point of the social life of the school. Glynne engendered in me, and in many of the others, a love of choral music that has endured. In the heyday of the Dowlais Male Choir a disproportionate number of members had sung in Glynne’s school choirs.

The school had a three-form entry, one Boys, one Girls and one Mixed. Segregation of the sexes was strict with a boys’ corridor and a girls’ corridor. My memories include playing fives – the fives courts were unique for schools in our area- playing rugby for the school teams and football in the school yard.

One story: when I was in Form 2 there was a heavy fall of snow and a number of us were throwing snowballs in the classroom. Mr Thomas came in and demanded to know who was responsible. Some confessed and were given detention. Others, including me, did not- the fear of Elwyn was the beginning of wisdom! Later that afternoon, I encountered him in town and confessed and asked that my name be added to the detention list. But when the list was called out later in the week, not one of the miscreants was on it. From then on, Elwyn Thomas could do no wrong in my eyes. Perhaps that’s why I became a Maths teacher!

Many others who followed similar or different paths as adults will, no doubt, have lasting memories of ‘The County’.

The school was closed and demolished in the 1970s and the site acquired for new housing. Regrettably, and shameful to report, few records of its existence and of its countless pupils remain. It has been said that ‘even the revered Honours Board ended up on a skip’- evidently unwanted in the new replacement ‘comprehensive’ school at the top of town, part of the most recent parliamentary plan for secondary education.

Nevertheless, some facts and figures survive in an old almanack, published by the Merthyr Express at the end of 1896.It contains an invaluable review of the development of education in Merthyr from the 1840s; this ends with the then most recent step in that development – The County Intermediate School and an insight into the local efforts that were made to achieve it. It was written by Mr E. Stephens, Clerk of the Board of Education in Merthyr Tydfil. The subject of improved secondary schooling for pupils up to the age of eighteen, had been discussed over decades in Parliament, where it was championed by Henry Austin Bruce, MP for Merthyr Tydfil, (future Lord Aberdare) and at the Glamorgan County Education Department in Cardiff. A new century was nigh before it materialised:

The question of Welsh Intermediate Education excited as deep an interest at Merthyr as it did in other parts of Wales and no time was lost in taking measures to secure the boon conferred by the Act of Parliament (i.e. The Welsh Intermediate Education Act of 1889) for the creation of these schools. On the 18th of November that year, a conference was held at the Board Room of the Workhouse, over which Mr W. Morgan JP, then High Constable, presided. It was decided to ask the County Committee to make Merthyr a centre for one of the schools- to accommodate 100 boys and 80 girls… After much negotiation a site embracing two acres of freehold land was finally secured in the Clock Field at Penydarren for £1200, Colonel Morgan, the owner, contributing £300 out of the amount for the building fund. A public meeting, in aid of the scheme was held at the Temperance Hall on March 20th 1891, Lord Aberdare presiding. A premium of £25 was offered for the successful plan, but the one chosen, by a Mr Crombie of London, proved to be far too expensive. The committee then obtained a second competition, on the basis of £25 per head. The plan of Mr E. Lingen Barker of Hereford was selected. The tender of Mr J. Williams of Swansea was accepted for the erection of the schools, but before the buildings were completed and opened for scholars the planned cost had run up to £6,198 3s 2d of which the architect received £464 14s 6d; the clerk of works £128  6s and the contractors the balance. Of this account £1,557 2s was raised by local subscriptions and the county fund provided the rest. (The fifty donors and the amounts donated are listed).

Alderman Thomas Williams JP is the chairman of the local governing body and the following comprise the teaching staff of the schools. Headmaster, Mr Charles Owen M.A. salary £100 a year with a capitation of £2 per year on each boy; first assistant master Mr W.H. Topham M.A., salary £160; second assistant master, Mr A.J. Perman M.A., salary £130; first mistress, Miss Edith Heppel who won a B.A. degree at Oxford but did not receive it as that university does not confer degrees upon women, salary £180 a year; second mistress, Miss Kate Thomas, salary £100 a year. The schools were opened for work on October 12th 1896, but a ceremonial opening is to take place on January 11th, 1897.

The school (i.e. pupils, staff and buildings) established itself in the Clock Field just before the start of the 20th century, in the soon-to-be-incorporated ‘town’ of Merthyr Tydfil.

Photo courtesy of the Alan George Archive

Mary Owen.

Who attended the former Port Talbot County Intermediate School (1945- 52)

With thanks to Betty Harrington for the gift of the almanack, and to Ceinwen Statter, Ian Hopkins and the late J.O. Francis for the memories.

Thomas Stephens – part 1

by Dr Marion Löffler

Today marks the 200th anniversary of the birth of Thomas Stephens, the famous historian and social reformer who although not born here, spent the majority of his life in Merthyr. To mark the occasion, I have been given permission to use this article which appears in the Dictionary of National Biography.

Thomas Stephens was born on 21 April 1821 at Tan-y-gyrchen (also known as Tŷ-to-cam, i.e. the house with the crooked roof), in Pontneddfechan, Glamorganshire, the son of Evan Stephens, a well-known boot-maker, and his wife Rachel, the daughter of William Williams (Wil y Gweydd, 1778-1834), a weaver and the Unitarian minister of Blaen-gwrach chapel. Among those who influenced Stephens in his youth were Maria Jane Williams and the Quaker Thomas Redwood (author of The Vale of Glamorgan. Scenes and Tales among the Welsh). Having first attended an elementary school ‘located in a barn’ near Cefn Rhigos, Stephens spent about three years at the Unitarian school founded by David Davis (1745-1827), which during his time there was under the care of John Davies, the former minister of Capelygroes in Ceredigion.

In October 1835, Stephens was apprenticed to David Morgan, a Merthyr Tydfil pharmacist, on whose death in 1841 he took over the business at 113 High Street, which remained his main source of income throughout his life. In 1866, Stephens married Margaret Elizabeth Davies, a descendant of a well-known family of Unitarians from Penrheolgerrig (see Morgan Williams, 1808-1883) in Llangollen Parish Church. Her brother Richard conducted most of the business after Stephens suffered a first stroke in 1868.

Thomas Stephens’s main contributions to the shaping of modern Wales are his efforts as a member of Merthyr Tydfil’s middle class to transform it from an industrial village to an urban community endowed with modern civic institutions; his tireless work on modernizing all aspects of Welsh culture, particularly the eisteddfod, education and Welsh orthography; and his pioneering works of scholarship, especially in history.

As a Unitarian, Thomas Stephens believed in the ability of individuals and society to improve their condition through education and by pursuing rational pastimes. All his work is to be viewed against this religious background. He first put his beliefs into practice by co-founding a public library in Merthyr Tydfil in 1846, for which he acted as secretary until his health failed in 1870, organizing and delivering educational lectures. In this, as in other undertakings, he received the support of Lady Charlotte Guest and Sir John Josiah Guest.

Stephens was one of the campaigners for the desperately needed Board of Health in Merthyr Tydfil in the 1850s, took a leading role in the planning of its Temperance Hall, which would provide rational pastimes for the working classes, and campaigned tirelessly for the Incorporation of the town.

The Temperance Hall. Photo courtesy of the Alan George archive.

He acted as an intermediary between iron masters and workers on more than one occasion. In 1853 it was he who chaired a mass meeting of over 3,000 people, called to achieve an end to long strike action. For the widows and children of the men killed at an explosion at the Crawshay Gethin Pit No. 2 in 1862, he instigated a relief fund, and collected and distributed money until the day before he died. He was a close friend of and political campaigner for H. A. Bruce, Lord Aberdare, Liberal MP for Merthyr Tydfil between 1852 and 1868, and served as High Constable of Merthyr in 1858.

Thomas Stephens’s talent and style as a social critic and reformer with a penchant for acerbic prose first showed itself in a series of letters to The Cambrian in 1842-3, in which he harshly criticized the romantic nature of the eisteddfod. In 1847, and reacting to the publication of the Blue Books , he took a leading part in the controversy over voluntaryism versus the acceptance of governmental grants for educational purposes which was acted out in the Monmouthshire Merlin . He was one of the very few who gave voice to the unpopular view that ‘voluntary exertions would be insufficient to provide education for the very large number of children who now remain uneducated’. For this, he was denounced by representatives of Church and Chapel alike as ‘a maniac and a liar’.

To read the original article, please follow:
https://biography.wales/article/s11-STEP-THO-1821

To be continued……

The Temperance Hall

Most of us have passed, or even visited the Temperance Hall (or the Scala to those of you who were born after the 1960’s), but how many of you realise that it was in fact Merthyr’s first purposely built public meeting place?

The Temperance Hall in the early 1900s. Photo courtesy of http://www.alangeorge.co.uk/index.htm

The Temperance Hall was built by the Merthyr Temperance Society as somewhere to provide “instruction and amusement for the masses of the people”. The Temperance Movement began in the 1830’s. At first temperance usually involved a promise not to drink spirits and members continued to consume wine and beer. However, by the 1840s temperance societies began advocating teetotalism. This was a much stronger position as it not only included a pledge to abstain from all alcohol for life but also a promise not to provide it to others.

The Temperance Hall was opened in September 1852 by Henry Bruce, the M.P. for Merthyr. The original building measured approximately 80 foot by 40 foot, with a 12 foot wide platform, with a capacity of between 100 – 150 people.

In 1873, the Hall underwent major enlargement, was said to hold up to 4,000 people. For the next 20 years the Hall was the main theatre in Merthyr, mostly seeing off competition that came and went, from the Drill Hall, the short-lived Park Theatre and the many visiting portable theatres. Performances at the Temperance Hall ranged from musicals like “Les Cloches de Corneville” and the marionette spectacular “Bluebeard”, to performances of plays by Shakespeare and other leading dramatists.

As well these, the Hall was also used to host lectures and also religious and political meetings. One of the most famous of these was the meeting held in 1872 by Rose Mary Crawshay, one of the leaders of the Women’s Suffrage Movement in the late 1800’s, which led to a petition for Women’s Suffrage being sent to Westminster.

A picture entitled “Emigration Agent Lecturing at the Temperance Hall” that appeared in The Illustrated London News 6 March 1875

In 1885 the management was controlled by a group of four brothers: Charles, Joseph, George and Harry Poole who continued with the mixed policy, and encouraged local amateur groups to use the premises as their regular base. By the turn of the century, however, the Temperance Hall was gradually becoming a music-hall and variety theatre, with the touring productions of musicals and straight plays tending to go to the Theatre Royal.

Israel Price

By 1914, the Temperance Hall was listed in the Kinematograph Year Book, so  it was clearly an early cinema conversion. The manager of the theatre by now was Mr Israel Price, who would become a legendary theatre manager of the South Wales area. From the outbreak of the War until the start of the “talkies” Israel Price provided variety performances and reviews as well as silent films. In 1927 he was able to advertise that the Temperance Hall was “now the only live theatre in the town”.

A group of performers outside the Temperance Hall in the early 1900s. Photo courtesy of http://www.alangeorge.co.uk/index.htm

The Temperance Hall was renovated and re-seated in 1930 and re-opened in August of that year, promoting itself as “Now one of the most comfortable theatres in the provinces”.

In 1939, Israel Price’s son (also called Israel) took over the running of the Temperance Hall, and he also eventually took over the management of the Theatre Royal. The Hall seems to have been used almost exclusively as a cinema during the Second World War, but in the post-war years it resumed live theatre, and in 1948 ran a forty-week repertory season under the direction of Barney Lando.

An advert for the Temperance Hall from the Merthyr Express 5 June 1937

By the 1953 edition of the Kinematograph Year Book the proprietors were listed as Messrs Price and Williams, and there were 624 seats, and by 1980 the Theatre had ceased presenting live shows and was used exclusively as a cinema having been renamed the Scala Cinema. It was owned by Dene Cinema Enterprises Ltd. and had 480 seats.

The cinema closed in the early 1980’s and in 1985 the building was converted into a bar and snooker club.