In Search of the Dowlais Railway

by Victoria Owens

When the Taff Vale Railway between Merthyr Tydfil and Cardiff received its authorisation in 1836, the Act gave the Railway Company leave to construct a branch to the tramroad at Dowlais. For various reasons, the Railway Company procrastinated over the work, with the result that the Dowlais Iron Company eventually took responsibility for making the Branch themselves. The terms of the 1849 Dowlais Railway Act authorised them to build not only the line, but also a passenger station, situated close both to the Iron Works’ lower entrance gate and the Merthyr-Abergavenny road.

Sir John Guest

Although the 1849 Act allowed the Iron Company five years to complete the railway, it was in fact ready in three. Financed by Sir John Guest, MP for Merthyr Tydfil, promoter of the TVR and soon to be sole partner in the Dowlais Iron Works, at a mile and sixty-eight chains in length, the steep gradient of its route up Twynyrodyn Hill meant that its lower part operated as an inclined plane. The Newcastle firm of R & A Hawthorn designed a stationary engine capable of drawing trains of up to six carriages in length and 33 tons in weight over s distance of 70 chains and 30 links, up the 1 in 12 slope. It had two horizontal cylinders of 18 inch diameter and 24 inch stroke and worked at 50 strokes per minute. The steam pressure was 30 lbs psi.

Viewing its erection in March 1851, a local newspaper drily enquired whether in ten years’ time, a ‘chronicler of local events’ might have reason to report the completion of a notional line ‘from Dowlais to the extreme point of Anglesey.’

Modest it might be, but at the Dowlais Railway’s official opening in August 1851, Royalty graced the ceremony. Three days before the event, just as Sir John and his wife Charlotte were about the set off on a carriage drive, the horse-omnibus drew up outside their home, Dowlais House, bringing Charlotte’s cousin Henry Layard, known as ‘Layard of Nineveh’ on the strength of his recent archaeological discoveries in Assyria, and with him, his friend Nawab Ekbaled Dowleh, whom the newspapers called the ‘ex-King of Oude.’

With the help of Works Manager John Evans, Charlotte organised every stage in the celebration, from welcoming a party of Taff Vale Directors who had travelled down from Cardiff for the occasion, to pairing up her ten children to walk in the procession: ‘viz. Ivor and Maria; Merthyr bach and Katherine; Montague and Enid; Geraint [Augustus] and Constance; Arthur and little Blanche.’ Flanked, probably as much for show as for protection, by the local police, they made their way to the station, decked with greenery for the occasion, with the school-children and company agents following. The ‘trade of Merthyr and Dowlais’ joined them along the way, all to the accompaniment of music from the combined bands of Cyfarthfa and Dowlais.

An 1880 map of Merthyr and Dowlais showing the Dowlais Railway – shown in red from top right to bottom left

From Dowlais station, the passengers travelled to the top of the incline where their locomotive was uncoupled. Messrs. Hawthorn’s engine lowered the carriages down the slope, and the intrepid travellers made their way on to Merthyr. Some of them chose to continue by TVR to Abercynon, but the Guests and their visitors preferred to return to Dowlais.

Later in the day, a ‘small party comprising about five hundred ladies and gentlemen’ enjoyed a sumptuous meal at the Iron company’s Ivor Works, to be followed by speeches and dancing. Sir John, whose health was none too good, left the festivities early but Charlotte remained on hand to propose the healths the Directors of the Taff Vale railway and to open the dancing with Rhondda coal owner David William James as her partner. With Layard as his interpreter, the Nawab set the seal upon the day’s pleasures by expressing his delight at the hospitality that he had received in Dowlais and asserting that he had never enjoyed himself so much as he had during his ‘brief sojourn’ in Wales.

Although Sir John envisaged the Dowlais Branch primarily as a mineral line, he seems to have been perfectly happy with the requirement that it should also accommodate passenger traffic. Records indicate that over 1853,it came in for usage by 755 first class, 1884 second class and 7253 third class passengers but, sad to say, disaster struck at the end of the year. December 1853 witnessed an ugly accident when a passenger carriage over-ran the scotches to hurtle down the Incline unchecked and two passengers lost their lives, with five more suffering serious injuries. Officially speaking, passenger traffic on the railway ceased in 1854.

Unofficially, as Merthyr Tydfil writer Leo Davies would explain, it was usually possible – given a combination of unscrupulousness and agility- to obtain a lift. In an article of 1996, he described the whole unorthodox procedure in graphic detail. Access was obtained via the wingwall of a bridge and through some railings. The sound of the hawser gave advance warning of the approach of a train on the incline – ‘four ballast trucks, each half-filled with sand.’ Travelling typically at ‘a nice, sedate trotting pace’ there was evidently ample scope for the non-paying passenger to grasp the outside rim of the buffer, and ‘swing both legs up and around the buffer spring housing.’

An aerial view of the Twynyrodyn area. The Keir Hardie Estate is being built to the left and the route of the Dowlais Railway can clearly be seen running vertically in the photo. Twynyrodyn School is visible middle right. Photo courtesy of the Alan George Archive

The Dowlais Railway closed finally in 1930 and the trackbed would be filled in sixteen or so year later, over 1946-7. In the 1990s, when Leo Davies reminisced about the ‘Inky’ as he fondly calls it, the ‘straight, green, grass grown strip of land’ ascending Twynyrodyn Hill remained visible. Perhaps, with the eye of knowledge or faith it remains so. Admittedly, former pupils of Twynyrodyn School remember the old line’s route, but without local knowledge it is not easy to trace. Only a few yards of broad green path survive to mark the site – perhaps – of the old trackbed and the name ‘Incline Top’ given to a hamlet at the edge of a plateau of rough ground extending towards Dowlais and its great Ironworks commemorate the location of Sir John Guest’s last great enterprise.

Sign for Incline Top, photographed May 2019

The Church of St. John the Baptist, Dowlais 

by Carolyn Jacob

The Church of St. John the Baptist, Dowlais was built in 1827, and it is likely that the Dowlais Church was named after its founder and benefactor, Josiah John Guest, iron-master of Dowlais and known as Sir John Guest.

Although brought up a strict Wesleyan Methodist he decided that the religious welfare of the workmen called for a church in Dowlais and that the industrial success of Dowlais called for the establishment of Dowlais as a Parish in its own right. Guest paid £3,000 towards the cost of the building and it was consecrated and opened on 27 November 1827 by Dr Sumner, Bishop of Winchester and former Bishop of Llandaff.

The original St John’s Church. Photo courtesy of the Alan George Archive

Lady Charlotte Guest presented the Church with its Communion vessels and Sir John Guest contributed generously to the maintenance of the clergy at Dowlais; he also supported many chapels in the area. Sir John died in Dowlais on the November, 1852 and a plain Italian marble slab at the top of the Chancel steps still marks where he is buried in St John’s Church. A massive marble columned tablet is inscribed with his epitaph. St. John’s Church thrived and held two services each Sunday, two services in English and also two in Welsh and so it catered for both languages.

Josiah John Guest’s memorial. Photo courtesy of the Alan George Archive

The original Church was a plain, simple, square building with tall windows and a square tower. Gradually the Church has been extended, rebuilt and enlarged.

During the 1890s the main Nave was rebuilt with additions to the aisles to allow room for the growing congregation and enable 800 sittings.The Church was restored at a cost of £4,500 under the direction of the architect E.A. Johnson, who later designed the Merthyr Tydfil Town Hall. Most of the expense was paid by Lord Wimborne, eldest son of the founder Sir John Guest; although a great bazaar in Dowlais raised £1,000 which was a huge amount in those days. The new extended aisle was the gift of Edward Pritchard Martin, General Manager of the Dowlais Iron Company in memory of his father George Martin.

Photo courtesy of the Alan George Archive

This family also financed the splendid decorative ‘Miner’s Window’ in the Church which show two coal miners digging at a coal face with the caption underneath, ‘The Thing that is hid Bringeth he forth light’. Such an industrial motif in stained glass is quite unusual to be found in a Church.  The bare headed miners, with their picks, candles, and their clothing and boots, present an accurate image of a coal miner (see right).

The interior of St John’s is imposing because of its sheer size. The tall fine oak roof of the Nave is a hammer beam type, supported by 6 larger and 5 smaller corbel tables on each Nave wall. The interior walls are double thick yellow brick. The five plain Early English styled columns with rounded bases can still be seen inset to the new west Nave wall.

Photo courtesy of the Alan George Archive

The Martin family had charge of the Collieries for the Dowlais Works and the American singer, Donny Osmond, claims descent from this famous Dowlais family, whose Brass plaques and monuments are still in the Church. The enlarged and redesigned Church was opened officially in October 1894 with a special service.

The present Church is a fine structure of Llancaiach blue pennant stone, after the Gothic style of the 13th and 14th centuries.  This wonderful Gothic church has long been a central land mark in Dowlais and has changed little since the late nineteenth century, although the former vestry has been demolished.  St John’s Church is 112 feet in length, with a maximum width of 84 feet and about 60 feet high. The whole construction is of masoned Pennant stone, but the doors and windows are surrounded with lighter coloured ashlar blocks of Forest and Bathstone trimmed with dripstone and moulds. This magnificent church was always perhaps too large for its congregation in this most non-conformist of towns.

The ‘new’ St John’s Church. Photo courtesy of the Alan George Archive

Far less than 10% of the population here attended an Anglican Church. In our more secular times in proved to be too large for its Dowlais Congregation and it closed in 1997. The church is currently undergoing conversion to residential flats which will retain its original fine structure.

Merthyr’s Lost Landmarks: Dowlais House

by Carolyn Jacob

Dowlais House in 1899. Photo courtesy of http://www.alangeorge.co.uk/index.htm

It is probable that John Josiah Guest had Dowlais House built around 1818, possibly as a home for his bride Maria Rankin. It was a large, solid, well-proportioned structure.  Her early death left him a widower until his marriage to Charlotte, daughter of the Earl of Lindsey, in 1833. Better known as Lady Charlotte Guest, she described her first visit to Dowlais House in her diary.

‘ By the time we had reached the House it was quite dark and the prevailing gloom gave full effect to the light of the blazing furnaces, which was quite unlike all I had ever before seen or even imagined. The interior of the house was precisely what Merthyr’s sketch of it had taught me to expect. My first impulse was to establish myself in the library, by far the pleasantest room in the house. We walked out as far as the limits of the garden, round the house and stood without the gate – the furnace gate-upon the steps leading to the Works’.

It is here that she succeeded in translating the Welsh tales the Mabinogion into English and within the short space of thirteen years she also gave birth to ten children in Dowlais House. No doubt it was partly on their account that she encouraged her husband in 1846 to buy Canford Manor in Dorset. Cholera in Dowlais made it essential for the young family to move from Dowlais House. However, on his death bed, John Josiah Guest insisted on returning to Dowlais House in 1852, so that he could die where he was born – in his beloved Dowlais.

Dowlais House in the 1860s. Photo courtesy of http://www.alangeorge.co.uk/index.htm

Dowlais House then became the Dowlais residence of G. T.  Clark, Esq. who took over as the manager of the Works. Dowlais House was converted to offices in 1894 after G.T. Clark retired from the business residence. The alterations which followed destroyed most of its older features as a private house, with the exception an attractive balustrade running up a stairs. Its proximity meant that the House featured in many photographs of  the Dowlais Works.  Prior to its demolition in the early 1970s, it was used as the employment exchange.

Dowlais House being demolished in 1973. Photo courtesy of the Alan George archive.

Merthyr Tydfil Historical Society – 2019 Lecture Programme

The committee of the Merthyr Tydfil Historical Society are pleased to announce the programme for 2019’s lectures.

The Merthyr Tydfil Historical Society meet at Canolfan Soar at 7.00 on the first Monday of the month – please come along….all are welcome.

4 February
Robert Jones An Historical Walk around Abercynon
4 March
Anne Watts The Last Tsar of Russia
1 April
David Maddox Voices: Valley Women’s Lives 1900-1918
13 May
Victoria Owens Lady Charlotte Guest
3 June
Klavdija Erzen History of Jews in South Wales
1 July
Society AGM
2 September
Barrie Jones The Rev Maber and Merthyr’s Glebelands
7 October
Mary Owen To be announced
4 November
Clive Thomas Some Aspects of Early Nineteenth Century Housing in Merthyr Tydfil
2 December
David Pike Evan Roberts the Evangelist

Merthyr Memories: The Closure of Abermorlais School

Following on from the last post about the opening of Abermorlais School, Clive Thomas, former teacher at the school, has kindly shared his memories of the closure of the school.

The Closure of Abermorlais Junior School
by Clive Thomas

In September 1968 a new headteacher took charge of Abermorlais Junior School. Mr. O.P. Bevan (Ossie), recently a teaching head at Heolgerrig Primary came to a school with a century of history and a reputation for high standards. After all hadn’t it assisted in the education of three peers of the realm? As well as providing for the general education for many thousands of children, probably the most celebrated of the school’s pupils were the  Berry boys, namely Henry Seymour Berry, Lord Buckland, William Ewert Berry, Viscount Camrose and  Gomer Berry, Viscount Kemsley.

Funded by the British and Foreign Schools Society, Lady Charlotte Schreiber (previously Guest) had laid its foundation stone in 1867. It was built on what was later to be known as the British Tip, an accumulation of iron and coal waste from  over a century of operations at the Penydarren Ironworks.  In its elevated position, the school overlooked the town to the south, Ynysfach to the west and to the north Georgetown and the Brecon Road. It was from the streets, terraces and courtyards of these areas that children had come to Abermorlais for over a century, but with the redevelopment of many of these districts and family movement to the new Gurnos Estate, pupil numbers had declined massively and left a very large school building only twenty-five per cent occupied.

Abermorlais School in 1969

By the mid ‘Sixties’, the building had suffered from many years of neglect and the school was in almost terminal decline. Initially built to accommodate over six hundred pupils, by this time fewer than two hundred were taught in only six of the downstairs classrooms. Foot worn sandstone stairs with iron railings led to the upstairs classrooms, all of which   had been vacated a number of years previously. Here were rooms where chairs, desks and other unwanted furniture and equipment were stored. A variety of old textbooks and teaching materials, some of great age had also been discarded here and in the imagination of many of the remaining pupils, these classrooms had to be haunted.  Shelves and ledges were coated by inches of black dust from the open fires which heated the still occupied classrooms and hall.

A classroom at Abermorlais School

This particular school year was a significant one in that it would be the last in which children from Abermorlais would sit the Eleven Plus Examination. Comprehensive education had already arrived in the lower part of the County Borough with the opening of Afon Taf High School the previous year.  Mrs Wendy Williams was the teacher who shouldered the onerous responsibility of ensuring that every child in what was still called Standard Four gave of their best.

Mr. John Lloyd was the school musician. A talented pianist, he played for the Pendyrus Male Voice Choir, then under the baton of the famous Mr. Glyn Jones from Dowlais. Mrs. Eleanor Davies, wife of the former head was fulfilling her final year as deputy-headteacher, while Mrs. Morgan and Sylvia Lloyd assisted with the teaching of the younger juniors. Like Mr. Bevan, Clive Thomas was new to the school and in the first year of his teaching career.

The staff at Abermorlais School in the summer of 1969. Back row – Mrs M Williams, Mr Clive Thomas, Mr John Lloyd, Mrs Morgan. Front Row – Mrs Eleanor Davies, Mrs Annie-Mary Protheroe, Mr Ossie Bevan (headmaster), Mrs Sylvia Lloyd, Mrs Wendy Williams.

At Heolgerrig, Mr. Bevan had been involved with the Welsh School Council work on Environmental Studies. He was anxious to continue this approach and actively involve children in work which would help them gain a better understanding of how the school and town had evolved. To say that Abermorlais was poorly resourced to achieve these aims would be an understatement but his ingenuity, perseverance and jovial nature enabled significant progress to be made.

A new school had been planned to replace Abermorlais, but was to be built in a corner of Cyfarthfa Park and on the edge of what was the old school’s catchment area. This, it was rumoured was to be a semi-open plan school (whatever that meant) and represent the aspirations   of a new age in education. Many of the staff, needless to say approached the move with a degree of trepidation.

Towards the end of the Autumn term in 1970 the staff were ready for the move and packed all that we wished to take with us. The Abermorlais foundation stone, which Ossie had planned to take to the new school proved to be something of a sham unfortunately. The inscription had not been cut skilfully by a late nineteenth century mason into solid stone but into a mortar coating. When the machine went to pick up the stone it fell into pieces and was lost in the rest of the debris. The historic building was left to the salvage and demolition crews.

Abermorlais School during demolition

Many thanks to Clive Thomas for this fascinating article, and for providing all of the photographs.

Quakers Yard Viaduct – an addendum

Following on from yesterday’s article about Quakers Yard Viaduct, historian Victoria Owens, a regular contributor to this blog has sent the following fascinating observation.

Lady Charlotte Guest, found the viaduct a source of total wonder and delight. In her journal entry for 25 October 1839 she describes a visit to the site while the bridge was under construction. It sounds as though John Guest was keen to show it off to a party of his friends, which included Edward Divett MP (he would be one of the trustees appointed to run the Dowlais Ironworks on Josiah John Guest’s death) and his fragile-sounding wife. Charlotte writes:-
When the carriages had reached that point of the turnpike road nearest to the viaduct, we got out and walked to it. There was more scrambling to get there than some of the ladies liked – We crossed by the scaffolding as I had done before & all the party went back over it in the same way except Merthyr and myself and we went over the bridge itself, scrambling over the rough masonry. – Three of the six arches were not closed and in these places we had planks thrown down across for us & I believe I was the first female that ever crossed this bridge, and at the height of some 70 or so feet it appeared a perilous undertaking thought it was not really so . The expedition fatigued Mrs Divett so much that she was not able to dine with us, which the men regretted, as we had a very pleasant evening and had some singers to entertain us with welsh songs.

Dowlais Stables – an additional comment

Many thanks to Victoria Owens, a keen supporter of this blog for the following piece that she sent as a comment on my previous post. As it is so interesting I thought it was worth sharing with everyone and deserved a post in its own right.

In January 1835, following Josiah John Guest’s return – unopposed- as Merthyr Tydfil’s MP, he and Lady Charlotte hosted a ball in the granaries above the Dowlais stabling to celebrate. Charlotte organised the decorations, which included patriotic transparencies proclaiming ‘W.R.’ [William Rex] and EGLWYS Y BRENEN [Church and King] drawn by the clerks from the ironworks office and hung where they caught the light. Josiah John’s Arms -‘with a Lyre and a fleur de lys’ according to the Merthyr Guardian, but when had he acquired the right to an heraldic device? – were chalked on the floor. The Rev Evan Jenkins, Rector of Dowlais, lent the Guests the church chandeliers, evergreens bedecked the walls and the band of the Cardiff militia provided music. The local gentry, whether or not they shared Guest’s political views, came in anticipation of a good party. By all accounts, the weather was vile, with thick snow delaying the London mail coach. In consequence, the local paper had much fun at the expense of a party of urban sophisticates who arrived too late for the fashionable quadrilles and had to make do with country dances ‘like Sir Roger de Coverley and Boulanger’.

(Information from the Cardiff and Merthyr Guardian, Glamorgan, Monmouth, and Brecon Gazette, Saturday 24 January 1835 and Lady Charlotte Guest, Extracts from her Journal, ed. the Earl of Bessborough (John Murray: London, 1950, pp 37-38, 19 – 20 January 1835).

Dowlais Stables

One of the oldest and most impressive buildings still standing in Merthyr is Dowlais Stables.

In the early part of the Nineteenth Century, despite Merthyr being at the forefront of the industrial revolution, and indeed pioneering the first steam-powered locomotive in 1804, Dowlais (and all the other) Ironworks were reliant on horses and ponies to bear the brunt of the heavy haulage work. In July 1819, it is recorded, Michael Faraday the eminent scientist visited the Dowlais Works, and walked with Josiah John Guest to the hay fields near the Works where the hay made there was used to feed the 150 or so horses which the Dowlais Iron Company used.

The following year, Josiah John Guest had stables built to house the horses. The architect of the building is unknown, but it was (and still is) a striking building. The complex is of symmetrical design, in the form of a rectangular plan of ranges set round a (formerly railway-served) central yard. The façade has two-storeys with centre and end pavilions separating 9-bay ranges and there is a tall central arch, through which the railway passed, with a circular clock face. This façade is roughly 450 feet long, and the central block rises to over 50 feet, with the central arch being roughly 30 feet high. This is topped with a decorative wooden cupola.

A plan of the layout of Dowlais Stables

It is said that when the stables was built, a number of contemporary newspaper cuttings, and several items of memorabilia were hidden behind one of the arch stones to be revealed “when the building falls down”.

The stables were well used; towards the end of the nineteenth century, the Dowlais Iron Company were employing “over a dozen blacksmiths, several stable lads and a score of other hands to tend the several hundred head of horses now owned by the Company and stabled in the very heart of Dowlais”.

As well as being used as for stabling horses, soldiers were stationed in the building for several years after the Merthyr Riots of 1831. Also, of course, Lady Charlotte Guest famously used the large first-floor rooms as a boys school until Dowlais Central Schools were opened in 1854-5.

The stables closed in the 1930’s and the complex became derelict; in the late 1970’s unauthorised demolition was started, but was brought to a halt. The site was subsequently bought by the Merthyr Tydfil Heritage Trust in 1981, and despite the façade partially collapsing in 1982, the building was eventually rebuilt as flats; the south east facade walls were also substantially rebuilt. Of the original structure, only the southeast range and Stables House on the north west range currently survive.

Dowlais Stables after the partial collapse in 1982

James Neilson’s Hot Blast: Pierre Armand Dufrénoy and Lady Charlotte Guest – part 2

by Victoria Owens

In September 1836 advertisements for On the use of hot air in the Ironworks of England and Scotland […] appeared in the London newspapers. Published by the august firm of John Murray, it was a modest octavo, priced at 5s 6d. To all appearance, the English text was anonymous, the title page stating only that the work was ‘Translated from a report made to the director-general of mines in France, by M. Dufrénoy in 1834 [sic]’ without naming the translator. The entries in John Murray’s ledgers were equally uninformative about the origin of the English version, referring to the work only as ‘Hot Air (On the use of)’ with a caret mark adding the scribbled note ‘By M. Dufrénoy’. The illustrations, however, carry some mark of Lady Charlotte’s involvement. Murray’s publication re-cycles the engravings which had appeared in Dufrénoy’s Rapport, but with an addition. Examination of the English text reveals the initials ‘C.E.G.’ – Charlotte Elizabeth Guest – in her distinctive handwriting beside each picture, presumably as confirmation to the printer that the image is to be bound in with the text.

Illustration of the Dundivan Heating Apparatus from On the Use of Hot Air in the Iron Works of England and Scotland […] (London: John Murray, 1836). The initials ‘C.E.G’ and date ‘March 1836’ appear below the engraved diagram.
To remain anonymous may have been her choice. Not only were mid-nineteenth century publishers apt to view women writers dismissively – it was why the Bronte sisters took masculine pen-names – but her mother had been less than happy about her marriage. For all his acumen, the industrialist John Guest was not the husband she would have chosen for her daughter – she preferred Robert Plumer Ward, a barrister-cum-novelist, whose proposal Charlotte resolutely declined. Charlotte, what was more, had loved South Wales from her first sight of the ‘blazing furnaces’ of Dowlais and the ‘broad glare of the fires.’ By contrast, when Lady Lindsey visited in August 1834, she thought the Glamorganshire countryside ‘wild enough for banditti’ and likened the ironworks to ‘a den of thieves.’ It seems unlikely that she would have viewed her daughter’s work on the Rapport sur l’emploi de l’air chaud with much enthusiasm. Nevertheless, Charlotte’s achievement did not remain secret for long. In December 1836 the local newspaper jubilantly identified her as the translator of On the Use of Hot Air and carried a story full of praise for her disregard of all ‘temptations to indolence’ and ‘frivolities of fashion,’ and ready devotion of her ‘time and talents to useful […] works by which mankind may be benefitted, and the interests of Science advanced.’

Her book had a print run of only two hundred copies but in iron manufacturing circles, it sparked considerable interest. On 1 October 1836, when it had been out for less than a month, John Wilson, co-proprietor of the Clyde Ironworks and member of the syndicate which held the patent rights to the Hot Blast process, called on Lady Charlotte to request a copy of her translation. He was apparently ‘anxious to see [it], as he did not understand French.’

If it yielded little financial return, the engagement with Dufrénoy’s survey of the British iron trade nevertheless set the course of Charlotte’s future. It is no coincidence that in her journal entry for 26 September 1836 – just when the book went on sale – she should mention having ‘undertaken the office of Merthyr’s secretary, to write all his letters and keep them copied and arranged.’ It was, she thought, a ‘beginning in earnest’ for which she had ‘been training for some time.’ Her remarks were prescient indeed, for on John’s death in 1852, she succeeded him as head of the works, and would soon have to bring all her acuity to bear on resolving a strike. Disputes aside, commerce gave her immense satisfaction. ‘I am happy to see we are at the head of the iron trade,’ she wrote in April 1839. ‘Otherwise I could not take pride in my house in the City, and my works at Dowlais, and glory (playfully) in being (in some sort) a tradeswoman.’