Ladin y Telynwr, Aladdin Gibbs Harpist

by Barrie Jones

The following is a transcript of an obituary for Aladdin Gibbs by John Devonald printed in the Merthyr Express on the 23rd of May 1931. The author, John Devonald (Eos Ynysowen), (1863-1936) was a professional singer and musical director who in his later years was a regular contributor of articles for Y Cerddor (The Musician) titled “Notes from Merthyr”, as well as writing pieces for the Merthyr Express[i].

What John Devonald does not mention in the obituary, is that Aladdin was of Romany descent, his parents, Deladdus (Aladdin) Lovele/Gibbs and Pheobe Colin, migrated to South Wales from the Welsh Marches in the mid-nineteenth century. Aladdin senior was also a knife and scissor grinder and may also have been a harpist. The account of Ladin y Telynwr and his son and grandson is an example of the rich contribution Romany harpists made to the long musical tradition of harp playing in both Merthyr and Wales.

Aladdin Gibbs – An Appreciation by Mr. John Devonald

A few weeks ago (23rd April 1931), one of Merthyr’s most notable characters in the last century was buried at Llanfabon churchyard (Nelson)– Aladdin Gibbs (1851-1931). At one time in his career, he was noted as a runner and walker and held the record for the one mile walk for some years. He was known far and wide as “Ladin Gibbs y raswr (racer),” “Ladin Gibbs y cerddor (musician),” or “Ladin Gibbs y telynwr (harpist).” His profession was that of knife and scissor grinder and repairer of umbrellas, and he carried on his trade almost to the end. Last year I saw him at it in Aberfan, although he told me he was 82 years of age. I remember him coming to Aberdare when I was a boy. He was different to all other grinders inasmuch as he had a shaft attached to his machine and a fine pony in it, while it was one mass of glittering brass. He himself was always spick and span. He was supposed to be one of the best built men in Merthyr: indeed, Drs. Ward and Webster, the old Merthyr surgeons, said he was. But what drew me to Aladdin Gibbs was his passion for the harp. He played for years on a harp made by himself and would frequent the fairs in the Glamorgan and Monmouthshire towns, when it was the custom to have a “telyn ymhob tafarn” (a harp in every public-house). He believed in the old triple string harp[ii], and insisted that his son Aladdin, should be taught in that method, that is, playing with the instrument resting on the left shoulder, and not on the right, like the more modern pedal harp, although his teacher was one of the most up-to-date in Wales, Mr. Taliesin James[iii], who is still with us, and the son of Mr. James James, the composer of “Hen Wlad Fy Nhadau.” Aladdin Gibbs would not be considered by Merthyr Eisteddfodwyr as an eisteddfodwr, yet he probably attended more National Eisteddfodau than any other Merthyr man. Be the eisteddfod in North or South, Gibbs would be there with his son. The later competed in the harp solo contests and won more than once. I shall always remember the pride of the old gentleman at the Bangor National (1890), when the boy won and was invested by the then Queen of Romania (Carmen Sylvia)[iv], who kissed him. The last time I saw them was at the Caernarfon National Eisteddfod. The son did not win, and the father, like a true sportsman, did not complain.

Aladdin Gibbs junior was a member of a troupe[v] travelling the United Kingdom and Ireland, of which I was musical director, and the question often came, “What’s the matter with your harpist?” The answer was always the same, “He is playing in the Welsh style.” I mentioned to his father once that his insistence must have been a drawback to the son, but his answer was, “The Welsh way is the correct way.” His name would not suggest that of a Welshman, yet how many of our countrymen are prepared to stick to a Welsh custom with the same tenacity?

Aladdin Gibbs was born in Caerleon in Monmouthshire, came to Merthyr when he was very young, and although an enthusiast in running, walking, boxing – his son-in-law being Patsy Perkins[vi], once well known in the boxing world – and all sport, yet his great passion was the harp. His last conversation with me was concerning his son’s harp, which he described as a beauty. His son[vii] is a harpist of great ability, and he has a son 10 years of age who is coming on very well indeed on the same instrument.

[i] More information on John Devonald can be gleaned from notes compiled by Dr. Fred Holley in the Merthyr Historian, Volume 22 (2011), pp. 87-123.

[ii] Triple harp (telyn deires), commonly known as the Welsh harp, comprising of three parallel rows of strings.

[iii] Taliesin James, also known as “Professor James”, of Aberdare was a renowned music tutor, his father James was a harpist who together with his father Evan composed Hen Wlad Fy Nhadau.

[iv] Elisabeth of Wied, Queen of Romania (1843-1916), she was a prolific writer under the name Carmen Sylva.

[v] Either the “Four Royal Welshmen” or the “Welsh Wanderers”.

[vi] George (Patsy) Perkins, featherweight boxer and boxing promoter was married to Aladdin’s daughter Rhoda Gibbs.

[vii] Aladdin Gibbs (1874-1939) was also landlord of the Rose and Crown, Quar, and later the Brecon House Inn, Brecon Road. His son Reginald (1921-1999) studied music in London and was a professional harpist performing with leading British orchestras.

A Short History of Merthyr General Hospital – part 1

by Ann Lewis

I suppose it’s difficult for us to imagine what life would be like without a hospital in an hour of need, but before 1888 Merthyr had only a small six-bedded Cottage Hospital for children at Bridge Street.

There was the workhouse for the sick paupers and Mrs Clark’s Hospital at Dowlais which had closed six years earlier. There was also a Fever Hospital at Pant, built in 1869, and another at Tydfil’s Well.  These were totally inadequate for the needs of a town the size of Merthyr, with the many accidents that occurred at the Ironworks and collieries. When accidents did occur the doctors would have to perform operations on a kitchen table or at the doctor’s surgery.

The Voluntary Hospital had for some time existed in London and other large cities. These were maintained by gifts and bequests from individuals and groups. The patients did not have to pay for treatment, for the doctors gave of their skills freely and in doing so gained a great deal of prestige and power in the management of the hospital.

By February 1886 the caring people associated with the Cottage Hospital formed a group with the sole aim of improving the facilities in Merthyr for the sick and injured. They included Drs. Biddle,  Cresswell, Webster, Ward and Dr Dyke who had founded the Children’s Hospital at his home called  ‘The Hollies’ in Bridge Street, Merthyr with  the Rev J Griffiths the then Rector of Merthyr and Sir  W T Lewis, who later became Lord Merthyr.

Unknown Dr, Dr Biddle, Dr Cresswell & Dr Ward

It was through Sir W. T. Lewis that the Marquis of Bute offered the sum of £1,000 towards the building of a voluntary hospital at Merthyr, and £1,000 towards the upkeep, provided the people of Merthyr raised the remainder of the money for the building. A meeting was held at the Temperance Hall and the people of Merthyr responded by raising £5,220 – a very large sum of money in those days.

The Clock field was chosen as a suitable site between Dowlais and Merthyr because Dowlais was equally as important as Merthyr at that time. It was opposite the Old Penydarren Works and the freehold cost £300. The foundation stone was laid by Sir W T Lewis in June 1887. Lewis was greatly involved with the hospital and had donated ‘35,000 pennies’ which he had received from the members of the Provident Society, which he had helped found, on the occasion of his knighthood.

The General Hospital in 1888

The new hospital had two ten-bedded wards. The first, The Lady Ann Lewis Ward, was named after Sir W T Lewis’ wife, who was the grand-daughter of Robert and Lucy Thomas the first exporters of steam coal in South Wales. The second ward was St Luke’s Ward. There was also a small four bedded ward for children, which was the room used as the operating theatre opposite Ann Lewis Ward for many years. The original theatre had been opposite St Luke’s Ward, in what later became the General Office. Next to the original theatre were the splint and instrument rooms and the Dispensary.

Ann Lewis Ward
St Luke’s Ward

The Hospital had a Board of Governors and they were the policy making body.  Anyone could be a governor for the sum of £2 per year. Thousands of people helped to maintain the hospital voluntarily. The workers at the Ironworks and Collieries were asked to contribute a farthing a week or a penny per month or one shilling per year towards the cost. It seems a very small amount to us now, but not in 1888. Any donation above £100 was recorded for all to see on a large board at the entrance hall.

Many people endowed beds in memory of loved ones and would maintain the endowment over 12 months. When the hospital opened, it required £500 per year to cover expenses; by 1940 – £6,000 and by 1950 – £52,000, but wages were blamed for the last increase.

In 1895, as part of Queen Victoria’s Golden Jubilee Celebration, an Accident Receiving Ward was endowed by Sir W T Lewis. A stained glass window was commissioned by the High Constable of Merthyr, Mr Frank James, a solicitor and clerk to the Board of Guardians, to honour Lewis’ gesture. On 4 April 1900 a statue of Sir W T Lewis was erected outside the hospital in recognition of these services and the honour conferred upon him by Queen Victoria, in raising him to the Baronetcy.

The General Hospital after the opening of the Accident Receiving Ward – built adjoining the hospital at the left of the picture

To be continued….